Swarm

2023 - 3 - 16

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Image courtesy of "The New York Times"

'Swarm' Review: The Underside of 'Atlanta' (The New York Times)

In a new series on Amazon Prime Video, Donald Glover shifts from comedy with touches of horror to horror with grace notes of comedy.

Fishback, best known for playing a levelheaded prostitute turned porn star in the HBO series “The Deuce,” keeps our sympathies with Dre throughout the show’s ups and downs. In the early episodes, she gives Dre a timid, recessive quality, acting out of the corners of her eyes, but she also suggests a stubborn resolve that turns into confidence once Dre starts killing people. (An additional motif of the show is the stream of people, usually white, who for their own reasons reach out to Dre offering a pretense of understanding or protection.) Another goes the full bottle-episode route, presenting an installment of a mock true-crime series, which can be taken as commentary on the way media culture exploits disturbed people’s distress but also serves to stitch up loose ends and lurch the plot ahead before the season finale. Glover created “Swarm” with Janine Nabers, who was a writer and co-executive producer on “Atlanta”; other “Atlanta” alums, including Glover’s brother, the writer Stephen Glover, have moved to the new show as well. In the show’s best moments, the premise serves as an attention-grabbing, plot-propelling armature for a story that promises, for a while at least, to be more interesting than that. That “Swarm” is only intermittently successful doesn’t make it any easier to look away from the screen.

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Image courtesy of "TIME"

Let's Talk About <i>Swarm</i>'s Deeply Ambiguous Ending(s) (TIME)

If you've finished streaming Swarm, Donald Glover and Janine Nabers' Amazon horror comedy about a young woman's murderous obsession with a pop star who is ...

And [this](https://time.com/6260421/tennessee-limiting-drag-shows-status-of-anti-drag-bills-u-s/), it almost goes without saying, is a [pretty](https://time.com/6262140/west-virginia-transgender-care-ban/) [horrendous](https://time.com/6258586/utah-transgender-bill-essay/) [moment](https://time.com/6261992/a-recent-move-by-the-white-house-gives-the-lgbtq-community-reason-to-worry/) to resurrect it. And her repressed desire for women is alluded to in early episodes; she caresses Marissa’s skin and grows uneasy around a lesbian couple in the wellness cult. They are already part of a fiction within the world where Loretta’s documentary is reality, which is in turn a fiction within the real world where you, I, and all other viewers of Swarm exist. [Billie Eilish](https://time.com/collection/100-most-influential-people-2021/6095808/billie-eilish-pioneer/)’s white-woman wellness cult, an equally unhinged mirror image of Dre and the rest of the Swarm’s Ni’jah obsession. Would there really be enough time after Rashida comes home at the end of a workday for Tony to surprise her with the tickets, kill her after she rejects them, snooze for a bit, burn the body, drive to the Ni’jah concert, murder a scalper, and enter the venue just in time to catch her idol’s performance? As a different ideal of Black womanhood, Loretta is the matronly, earthbound version of Ni’jah, who is of course a stand-in for a real woman named Beyoncé Giselle Knowles-Carter who really is worshiped as a goddess. (It’s probably worth noting that “Fallin’” shares a co-writer, Karen Joseph Adcock, with Atlanta’s great season 4 mockumentary, “The Goof Who Sat by the Door.”) This suggests that the other episodes of Swarm are supposed to exist as fiction in a world where Loretta and the documentary are nonfiction, rather than as a straightforward account of events unfolding in “real life.” This is crucial to understand, going into a truly wild finale. So of course she winds up dead on her beloved Anthropologie couch, after refusing to accompany Tony to a Ni’jah show on the night of their anniversary and blowing up at him for spending rent money on such pricey tickets. In a sense, each imagines its own alternate ending to Dre’s murder spree—one apparently grounded in the facts of a true-crime case and the other the ultimate fantasy-come-true for a fan who makes Where Dre is cold, lonely, violent, and brittle, Loretta—a widow who’s shown, early in the doc, feeding a home-cooked breakfast to her two children—comes off as warm, community-minded, nurturing, resilient. [Donald Glover](https://time.com/4465184/donald-glover-atlanta-childish-gambino/) and Janine Nabers’ Amazon horror comedy about a young woman’s murderous obsession with a pop star who is clearly meant to mirror [Beyoncé](https://time.com/5793791/beyonce-100-women-of-the-year/), allow me to welcome you to the land of Huh?! Brown throughout the show, in which she’s usually observed from afar, now has the face of Dre’s best friend and adoptive sister Marissa ( [Chloe Bailey](https://time.com/5851399/chloe-x-halle-time-100-talks-protests/)), who kills herself in the premiere.

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Image courtesy of "USA TODAY"

Is 'Swarm' based on a true story? And has Beyoncé seen the bloody ... (USA TODAY)

In Amazon Prime Video's horror comedy (all seven episodes now streaming), "Judas and the Black Messiah" breakout Dominique Fishback plays Dre, a crazed fan of a ...

Glover echoed praise for Obama in an interview with [Vanity Fair](https://www.vanityfair.com/hollywood/2023/01/donald-glover-show-swarm-first-look). Asked at SXSW whether Beyoncé has seen the show, Nabers answered, "Of course," but declined to elaborate further. "Swarm" in no way tries to hide its Beyoncé influences, with fictional pop star Ni'Jah recreating almost exact images from Queen B's "Renaissance" and "Everything is Love" eras. [Dominique Fishback](https://www.usatoday.com/story/life/tv/2017/10/18/5-new-faces-fall-tv-breakout-stars/771451001/) plays Dre, a crazed fan of a Beyoncé-like pop star named Ni'Jah (Nirine S. ["The Little Mermaid" star Halle Bailey](https://www.usatoday.com/story/entertainment/celebrities/2023/03/06/halle-bailey-emotiona-reaction-little-mermaid-doll-reveal/11415374002/). "I feel like she's just somebody who's going to have really good things coming soon." You may spot a notable name among the show's creative team: Malia Obama, daughter of Barack and Michelle Obama. Singer/model Paris Jackson is daughter of the late Michael Jackson and portrays a stripper who befriends Dre. She also brought out Glover, who goes by stage name Childish Gambino, to perform at her concert in Inglewood, California, last December. Brown) [who takes her obsession to murderous extremes](https://www.amazon.com/Swarm-Season-1/dp/B0B8NLVH1L). The show is inspired in part by an urban legend that circulated online following the release of Beyoncé's 2016 album "Lemonade," which hints at husband Jay-Z's alleged infidelity. Here's everything you need to know about the series, which co-stars Billie Eilish and is co-written by Malia Obama:

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Image courtesy of "Decider"

Billie Eilish Kills It In Her Acting Debut as a Cult Leader in Donald ... (Decider)

Billie Eilish appears in Episode 4 of 'Swarm', Donald Glover and Janine Nabers thriller for Amazon Prime Video.

The more time Dre spends with Cricket and the rest of the women, the more she realizes that this isn’t just a nice group of friends. She plays the role with enough sincerity and intensity that you immediately enter Dre’s headspace enough to wonder if this woman is just a nice ally? [Donald Glover ](https://decider.com/tag/donald-glover)and [Janine Nabers](https://decider.com/tag/janine-nabers), Swarm follows one young women who becomes unhealthily obsessed with a pop star by the name of Ni’Jah (Nirine S. If you’ve seen even a minute of this series, you know it isn’t long before that nice offer descends into a dark and darkly funny nightmare. After noticing a police officer harassing Dre, Cricket scares him off and insists that Dre come stay with her and her friends. [Swarm](https://decider.com/show/swarm/) is one of those shows that defies expectations at every turn.

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Image courtesy of "The New Yorker"

Donald Glover's “Swarm” Is a Portrait of the Serial Killer as a Young ... (The New Yorker)

The horror-thriller series, which Glover created with Janine Nabers, about a mega-fan's violent devotion to a Beyoncé-like pop star, succeeds neither as ...

That’s a meaningful difference between her and the archetypal white male serial killer, but “Swarm” seems unwilling to grapple with the dubious milestone of Black female sociopathy it presents, tiptoeing instead around the social conditions that contributed to Dre’s unstable childhood, as well as the expectations that help her elude capture. Dre’s gradual descent into tragic villainy is lurching and yet not without poignancy; few scenes this year gutted me like the sequence in which she has to look away from one of her final victims, sacrificing her own potential happiness in obeisant service to a higher power. And in these initial chapters the supporting characters are more sharply drawn: a group of Tennessee strippers whose sororal overtures to Dre, the new girl at the club, backfire; a formerly obese man (Byron Bowers) who invites Dre into his home and is quickly undone by the combination of sex and junk food that she offers. But even her marvellously versatile performance can’t make up for the wan character development and the tonal wobbliness that sink the series. As a drifter, Dre tries on a range of gender expressions, from sparkly stripper gear to a rather butch (or transmasculine) guise. The season builds toward a morbid, tongue-in-cheek provocation: What if the female empowerment and self-actualization that Ni’Jah’s anthems champion were channelled into a calling in mass murder? But Marissa is ready to grow up; she’d rather spend her birthday with her boyfriend, Khalid (Damson Idris), than with Dre at a Ni’Jah concert, even if Dre opened up a new credit card to get them premium tickets. A more absurdist version of the character would’ve been right at home in Glover’s “Atlanta,” for which Nabers also wrote; that show’s final season featured a serial killer who targets the participants of a social-media dance challenge set to Soulja Boy’s 2007 hit “Crank That.” But this darker, meaner series, on Prime Video, succeeds neither as satire nor as psychological study. The series opens in the dingy Houston apartment that the fantasy-prone Dre shares with her former foster sister and sole friend, Marissa (Chloe Bailey), a mall clerk and aspiring makeup artist who supports her financially. Every last inch of her gleams: her hair, her eyes, her teeth, the beads and paillettes that shimmer with each hip thrust or arm swing, but, most of all, her skin. Yet the object of fascination in “Swarm,” Donald Glover and Janine Nabers’s new horror-thriller series, isn’t this unmistakable Beyoncé stand-in. And, as with any queen, her domestic orbit is common knowledge: the rapper husband with the capitalist hustle and the wandering eye, their twins, the gifted but hopelessly overshadowed younger sister.

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Image courtesy of "CNN"

Billie Eilish makes acting debut in Donald Glover's new thriller, 'Swarm' (CNN)

Billie Eilish has made a surprise acting debut in an episode of Donald Glover's new thriller series, "Swarm," which landed on Prime Video on Friday.

We gravitate toward people who are juggling multiple hats.” The show, which explores the dark side of stan culture, features a star-studded cast including singer Chloe Bailey, “Snowfall” star Damson Idris and actor Rickey Thompson. Their exchange gets disturbing when Eilish asks “What color was the milk?” and Dre replies: “It was red.”

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Image courtesy of "Billboard"

Billie Eilish Is Very Scary in 'Swarm' Series Teaser (Billboard)

The show also features Paris Jackson, Chloe Bailey, Damson Idris, Rickey Thompson, Rory Culkin, Kiersey Clemons and Byron Bowers. All seven episodes of the show ...

“I really wanted to stretch myself as an actor,” said the 31-year-old actress. “What color was the milk?,” Eilish’s character asks with a sweetly sinister look on her face. milk spilled on the carpet,” Dre says.

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Image courtesy of "WIRED"

'Swarm,' Superfandom, and Murder (WIRED)

In the new psycho-thriller from Donald Glover, an obsessive fan goes berserk. Is the era of social media to blame?

The most convincing aspect of the series is Fishback. The jewel of the series is its commitment to sharp turns—just when you think it will veer right, it puts the car in reverse and runs over a pile of bodies. Death is “beautiful,” Dre reasons, because “it’s equal, it happens to everybody.” According to Nabers, a former writer on Atlanta, the cerebral architecture of the show originates from niche thrillers like The Piano Teacher (2001) and Elephant (2003), where the wedding of loss, rage, love, and obsession are framed with razor intimacy. So she uses that hurt to hurt others, embarking on a cross-crounty trip where she kills anyone who speaks negatively of Ni’jah. It is a portrait of superfandom in kamikaze form. (A disclaimer before each episode cautions: “This is not a work of fiction. With the exception of season 3—the most ambitious season or the worst, depending on who you ask—it never left the boundaries of the city, its hidden treasures and trapdoors. It’s got keys in the ignition and a tank full of gas, slinking from Texas to California to Tennessee and back. As we find out, she is a honeycomb of sticky traumas. That it happens to be inspired by the BeyHive—perhaps the internet’s most notorious legion of superfan—do with that what you will. Everything is in service of Ni’jah, the Beyoncé-level pop star she can’t live without. For Dre (Dominique Fishback), the answer is a no-brainer.

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Image courtesy of "The Guardian"

Swarm review – Donald Glover's Beyoncé-inspired serial killer satire ... (The Guardian)

The Atlanta creator is clearly targeting Knowles obsessives in this menacing series about the dark side of music fandom. But its point is obvious and its ...

Dre is a slightly patronising cartoon of a lonely outcast, her naivety and awkwardness constantly pushed to the max as she glowers stroppily at everyone. Any similarity to actual persons, living or dead, or to actual events, is intentional.” In an episode falteringly styled as a true-crime documentary, following the only cop in the US who has identified Dre as the likely culprit for a string of murders, Swarm goes archly meta, with Ni’Jah defictionalised and replaced by the real Beyoncé, her name bleeped out when characters say it but easily lip-readable. She works in a strip club, bonding uneasily with her fellow dancers and initially frightening off punters with her clunking gait and insistence on dancing to sad Ni’Jah ballads. She gets a new credit card to buy front-row Ni’Jah tickets she is nowhere near being able to afford, and is devastated when Marissa – who used to be as keen a member of the Swarm, the Ni’jah fan collective, as Dre still is – does not want to accompany her to the gig because she is well into her 20s now and has moved on. [Watchmen](https://www.theguardian.com/tv-and-radio/2019/oct/21/watchmen-review-the-perfect-superhero-story-for-our-tattered-times-hbo-alan-moore) and [Atlanta](https://www.theguardian.com/tv-and-radio/2022/jun/29/donald-glover-atlanta-season-three-review-this-peerless-shows-impact-will-live-forever) – sets up a mood of flickering menace. If that doesn’t make it a must-watch, or at least a must-try, Glover’s parallel career as the rapper Childish Gambino increases the intrigue: Swarm is about the dark side of music fandom, and if anyone can turn that into art, you would think Glover can.

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Image courtesy of "CNN"

'Swarm' delivers a stinging satire about excessive fandom (CNN)

The producers of "Swarm," a new Amazon series co-created by Donald Glover and Janine Nabers, have issued a "Do not spoil" list that precludes detailing much ...

And the gist of it, ultimately, is the corrosive effects of engaging in blind hero worship, basically turning one’s life over to somebody that you don’t even know. “Swarm,” too, is almost defiantly weird, in a mish-mash of styles and themes that draws from biting satire, understated comedy and most pointedly of all, horror, in a way that recalls some of Jordan Peele’s post-“Get Out” films. But there is a lot to be said about the limited series’ provocative view of fan culture, and how such loyalty can turn into obsession.

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Image courtesy of "Roger Ebert"

Swarm movie review & film summary (2023) | Roger Ebert (Roger Ebert)

Her Houstonian character Dre is willing to max out credit cards for concert tickets, just as much as she's ready to murder online trolls to defend the ...

[The King of Comedy](/reviews/the-king-of-comedy-1983)"), Patrick Bateman (" [American Psycho](/reviews/american-psycho-2000)"), and Arthur Fleck (" [Joker](/reviews/joker-movie-review-2019)"). [Night Comes On](/reviews/night-comes-on-2018)" to " [Judas and the Black Messiah](/reviews/judas-and-the-black-messiah-film-review)." [Dominique Fishback ](/cast-and-crew/dominique-fishback)as Dre [Chloe Bailey ](/cast-and-crew/chloe-bailey)as Marissa [Nirine S. ), [Ibra Ake](/cast-and-crew/ibra-ake), and [Stephen Glover](/cast-and-crew/stephen-glover), establish a sound idea of this grounded but bizarre tone, complemented by a rich soundscape. Much of the show will become about Dre navigating different living spaces, passing through the country like Henry in " [Henry: Portrait of a Serial Killer](/reviews/henry-portrait-of-a-serial-killer-1990)." And the show's irascible course of events becomes all the wilder when "Swarm" riffs on the

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Image courtesy of "The New York Times"

Dominique Fishback Knows You Think She's Sweet. 'Swarm' May ... (The New York Times)

In a new Amazon series cocreated by Donald Glover, Fishback plays the crazed fan of a Beyoncé-like pop star. Who knew she could be so terrifying?

Anyway, “I like to spend my days in solitude,” she said, filling her down time with weekly guitar lessons, playing piano, writing poetry and reading (currently, the dating advice book “Calling in ‘The One’”). “I really didn’t know who she was or what she physically was going to be like, so I just tried things,” she said. I need you to be searching in the shots.’” That sense that she was fumbling in the dark was by design. “The only thing they really gave me was that she was emotionally stunted,” she added. “She lives in the pocket of any character you write for her.” (A love for television seeded her interest in acting.) The drama training gave her “a taste of something other than what I grew up knowing,” she said, adding: “But I still was able to appreciate and understand my people in a certain way.” “I could rap to you the whole last verse, the real crazy verse,” she said. (It is indeed a work of fiction.) “Any similarity to actual persons, living or dead, or actual events, is intentional.” He wanted it to “French New Wave it,” he said — shooting on film, employing long shots and encouraging improvisation — and brought the idea to Nabers, who took on the role of showrunner, writing the pilot and several subsequent episodes. “She felt very sweet, like someone you wanted to take care of, but she wanted to do the opposite, which I completely understand even in my own career,” he added. “Dom is the queen of the journal,” said Shawn Tyrell, a longtime family friend, who lived at Fishback’s home off and on throughout her childhood.

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