The MCU sequel now stands as the second “rotten” movie in the franchise (which, considering this is the 31st movie is a pretty good track record) and currently ...
The MCU sequel now stands as the second “rotten” movie in the franchise (which, considering this is the 31st movie is a pretty good track record) and currently holds a rating of 53% based on 136 reviews on the review aggregator site [Rotten Tomatoes](https://movieweb.com/tag/rotten-tomatoes/). As Frank Scheck of the Hollywood Reporter puts it... [Ant-Man and the Wasp: Quantumania](https://movieweb.com/movie/ant-man-and-the-wasp-quantumania/), and sadly, things are not looking too good. “Marvel, with all their resources, have made a film set in a universe where time and space are not as we know them, yet have ended up with something that looks surreal, but feels shackled. Too bad that, for all its amusing jokes, the world onscreen mostly looks like a Marvel screen-saver.” Jonathan Majors is an absolute beast as Kang the Conqueror.
Uh oh. That was my first thought when I saw the review scores rolling in for Ant-Man and The Wasp: Quantumania, the third Ant-Man movie, but a seemingly ...
I do wonder if a few more reviews may sink Quantumania below Eternals, though I will say in the middle to bottom ranking order of MCU movies by critic scores, I think they got a long wrong. That’s obviously something DC can’t say, as the DCEU boasts a number of films under that mark, and early on often split between high audience scores for Snyder-era films and low critic scores. Taking place almost entirely in the Quantum Zone, the film is in turn almost completely CGI, and even in the trailers it looked like that could be a problem. Second, since the movie is actually out now, user scores are in and they are not just higher than critics, which you might expect, but much higher, currently at an 84%. That’s a dismal score for an MCU feature, and marks only the second time that an MCU movie has had a “rotten” (below 60%) score on the site, the first time being Eternals in 2021. The thrill isn't just gone, it's been buried beneath a swarm of plot contrivances and truly hideous CGI.” [Whynow](https://whynow.co.uk/read/ant-man-and-the-wasp-quantumania-review): “Visually, the film is messy and flat; the CGI is shockingly poor and the action looks muddled. It says something that out of 30+ MCU features in a decade and a half, that there are literally only two with sub 60% scores. Of course, many MCU fans may wait and see what audience scores are like. But I would be surprised if this was a huge disparity as this always seemed like a pretty risky film. What’s wrong with the movie? We know there’s currently a visual effects shortage in Hollywood, in part because of the demands of places like Marvel, and perhaps this was too much work given not enough time and the end result is just…not very good. They were never really considered top-tier Marvel movies but this is a huge drop.
Domestically, the superhero threequel is expected to make between $95 million and $100 million in its first three days, according to Variety, with the number ...
[Peyton Reed](https://collider.com/the-mandalorian-volume-technology-peyton-reed-comments/), who also helmed Ant-Man 1 and 2, declared heading into this one that he no longer wanted his films to be perceived as counter-programming within the MCU, and made it a point to craft a more epic narrative. Reviews for Ant-Man 3 have been generally muted, otherwise; this is only the second MCU film ever, for instance, to get a “rotten” score on review aggregator Rotten Tomatoes. The first Ant-Man tapped out with $519 million globally, while the second film finished with a little more than $620 million worldwide. Ant-Man 3 also happens to be only the second MCU film since 2019’s Avengers: Endgame to score a China release. [Ant-Man and the Wasp: Quantumania](https://collider.com/tag/ant-man-and-the-wasp-quantumania/) have been lowered heading into its opening weekend. Domestically, the superhero threequel is expected to make between $95 million and $100 million in its first three days, according to [Variety](https://variety.com/2023/film/box-office/box-office-preview-ant-man-and-the-wasp-quantumania-opening-weekend-1235522559/), with the number increasing to $110 million across the four-day extended President’s Day weekend.
The third film in Marvel's Ant-Man trilogy sends the MCU's tinest titans into a subatomic universe, where they — and we the viewers — get stuck.
The characters of Ant-Man and the Wasp: Quantumania, at least, are flat. Just look at the standard line item in the budget for, say, the Mysterious Glowing Object That's Terribly Terribly Important To Everyone In Whichever Marvel Movie This Happens To Be — in this case, that yellow orb thingy with all those metal rings flying around inside it that Kang wants, for reasons I can't remember now. ... Oh and also throw in a few bucks on coconut oil while you're at it. The voice actors record their tracks in separate sound booths at separate times. In previous Ant-Man films, we may all have looked past the thinness of his characterization, because the charming Ruddishness of the performance blinded us to it. She might as well be one of the CGI barstools.) But as I sat there watching Ant-Man and the Wasp: Quantumania, I started to wonder if perhaps, back when we as nerdy little kids wished for it, all those long years ago, someone snuck a monkey's paw into the whole affair. But in absolutely no way does it look like they did, and it sure as hell doesn't feel like they did. They could have made a film together at any time during that period and now, finally, here they are and here it is. When we eventually get a The Making Of Ant-Man and the Wasp: Quantumania, we might well learn that those three actors actually filmed that scene together. Even more mind-boggling: This third Ant-Man film posits the purple, time-traveling despot Kang the Conqueror as a bad guy to take seriously. This time out, it's the entire Ant-Family that gets sucked down into the MCU's own microscopic Whoville, with its sunless, surreal, slimy Color Out of Space production design.
Ant-Man and the Wasp: Quantumania's Cassie Lang has a longer history in Marvel Comics than she does in the Marvel Cinematic Universe.
Cassie spends a lot of her childhood living in the headquarters of the Avengers after Scott is welcomed onto the team. Their comic book history could come into play on the big screen as Kang appears in Ant-Man and the Wasp: Quantumania. She even sacrifices herself to stop him when he attempts to steal the Scarlet Witch’s reality-warping abilities, though her death is short-lived, as many comic book deaths are. Cassie Lang has seen people call her things like Ant-Girl and Giant Girl in reference to her own size-changing abilities, but there are only officially two code names in While that is true to a degree in the comics as well, that’s not always the case. Cassie and Kate Bishop, who become friends, attempt to join the team but are initially refused. Cassie decides to experiment with Pym particles herself, exposing herself to them regularly, hoping to become a hero like her father. He rescues a doctor (after stealing the Ant-Man suit and Pym particles) who could help prolong her life. Though Cassie is often thought of as a relatively new comic book character, she has been in Marvel Comics for over 40 years. Contrary to the MCU, Scott Lang’s criminal activity in the comics is done to save Cassie’s life. Many heroes and villains debut in Marvel Premiere to see how the audience reacts to them before they become part of an ongoing series. Byrne is best known for his work on X-Men and Fantastic Four among Marvel fans, but his prolific career also involved a lot of work on DC Comic books as well.
This is only the second Marvel Cinematic Universe film to earn a Rotten rating. Jonathan Majors shines as Kang the Conqueror, but the film is an overstuffed ...
"Michael Pena's absence should have been a warning," wrote Kristy Puchko in her review of "Ant-Man and the Wasp: Quantumania" for Mashable. "Ant-Man and the Wasp in Quantumania" held a 53% "rotten" rating from 148 reviews, as of Wednesday afternoon. "The result is an undercooked, overstuffed action movie that feels like a shadow of better pulpy adventure sendups before it." to buckle at the knees," O'Sullivan wrote. "Ultimately, 'Quantumania' does a middling job of both. The film itself is anything but light. There, they face off against Kang, a dimension-hopping tyrant who is trying to escape from the realm after being exiled there for his rampages across time and space. (Majors will also appear as the antagonist in next month's "Creed III." Critics praised Majors' performance in the film, as the actor was able to bring gravitas to the the role and exude the kind of menace that made previous big bad Thanos (Josh Brolin) such a compelling, and threatening, villain. He was introduced in the Disney+ show "Loki." However, Kang's larger-than-life presence overshadowed the quirky and charming narrative that fans have come to expect from Ant-Man side quests, critics say. Peyton Reed's previous Ant-Man installments offered the MCU a smaller-than-life look at what it means to be a hero.
When shrinking superhero Scott Lang (Rudd) meets Kang the Conqueror (Jonathan Majors) in the subatomic Quantum Realm in the first scenes the actors filmed ...
In 2018’s “Ant-Man and the Wasp,” Hank and Janet were reunited after she spent 30 years stuck in the Quantum Realm. Every time she reprises the role, "I feel like I have to start from scratch because she's so different,” Lilly says. [Jonathan Majors](https://www.usatoday.com/story/entertainment/movies/2022/11/21/devotion-jonathan-majors-creed-marvel-kang/10718390002/)) in the subatomic Quantum Realm in the first scenes the actors filmed together, “the beats per minute felt different,” Rudd says. We also know what it is wear our failure or when we hide our failure,” Majors adds. Just like the Avengers' nemesis Thanos, Kang is a complex guy Marvel movie fans will spend a lot of time wi over the next few years. “Some people might have been involved with (Janet) when she was down there in the realm.” “I love that we have this very intense history together,” Pfeiffer says. “Our story in the Quantum Realm was really like we were in kind of a time warp.” “I want to go to that place.” “It's really easy when things are tough to just let it take you down and she didn't. "If you were to ask Scott Lang, it's a dad before a superhero.” Did you like the good guys' time-traveling escapades in "Avengers: Endgame"?
Ant-Man and the Wasp: Quantumania is a sci-fi adventure in the mold of Thor: Ragnarok.
The bigger, more general theme is the strength of the little guy, even in the face of overwhelming power. Cassie (Newton) is the heart of the film, Hank (Douglas) does the science and Janet (Pfeiffer) is the plot powerhouse whose worst nightmare catches up to her. Quantumania sets up the future of the MCU, and also manages to pack in some other bigger themes. Still, the number of times characters refuse to divulge crucial information to string out the supposed suspense ("No time to explain!" If Quantumania doesn't quite know what to do with Ant-Man, it really doesn't know what to do with the other title character. Fans have been prepped for the arrival of Kang, who was first seen in the Disney Plus series Loki, and the movie does a fine job introducing the villainous characters to fresh viewers. It's a breezy, bizarro sci-fi adventure in the mold of Thor: Ragnarok, as familiar faces from the Marvel roster drop into an alien realm for fun and fighting before inspiring the locals to rise up and overthrow a hateful dictator. The weirdness of the micro-Mad Max setting gives rise to some entertaining jokes, arresting visuals and one or two mind-bending set pieces. Old enemies come looking for her and her fam, forcing her to face up to what she did during exile. Having rescued Janet van Dyne from the quantum realm in the previous Ant-Man and the Wasp film (and you'd be forgiven for remembering basically nothing about that movie), the Ant-gang is sucked back into the itty-bitty universe layered below the atoms of our full-size world. Kathryn Newton plays the now-teenaged Cassie Lang, Scott's daughter, and in the quantum realm they encounter William Jackson Harper, Katy O'Brian and Bill Murray (yes, that Bill Murray). [Ant-Man and the Wasp: Quantumania](https://www.cnet.com/culture/entertainment/ant-man-and-the-wasp-quantumania-trailer-plot-cast-release-date/) is in theaters Friday, Feb.
The loopy humor and style of the first two “Ant-Man” movies have been flattened by the M.C.U.'s franchise formatting.
The feeling of giddy wonder is what distinguishes the first two “Ant-Man” films; they help to restore the brand name of Marvel to a common noun and to a verb, and they do so starting from the top, with a sense of the filmmaker’s own experience—his ardent curiosity, free-ranging inventiveness, and imaginative sympathy. What’s absent is a sense of experience—conveying to viewers the extraordinary and quasi-miraculous aspects of what the characters are undergoing, observing, and doing. The best thing about “Quantumania” is, surprisingly, its script (by Jeff Loveness), which is like saying that the best thing about a building is its blueprint. The occasional spectacular idea—such as the weirdness unleashed when Scott is caught in a “probability storm”—gets submerged in a sludge of imagery that offers little but the concept itself, unmoored from its surroundings, its implications, and, above all, the perspective of the characters. It’s sadly appropriate for the degree zero of superhero-franchise synthetics to have been reached, or asymptotically approximated, in the infinitesimal realm in which “Ant-Man and the Wasp: Quantumania” is set. The scant grounding and bare inner life of the characters give the remarkable actors little to work with. (The MacGuffin is a “multiversal engine core” that Kang needs.) They also encounter the principled underground leader Jentorra (Katy M. The second film in the cycle, “ [Ant-Man and the Wasp](https://www.newyorker.com/culture/the-front-row/ant-man-and-the-wasp-should-have-been-the-godfather-part-ii-of-superhero-movies),” felt tethered—Reed unleashed intermittent flourishes of inspiration, but now they were completely bound by the M.C.U.’s gravitational field, pulled down to the franchise’s established map, and sent forth to do their duty. Its modelling on the “Star Wars” template is made all too explicit by a scene (the liveliest in the film) that’s a parody of the celebrated cantina set piece. (As one of the newly arrived fivesome exclaims, “There’s quantum people in the Quantum Realm.”) It’s not just humans but also a humanoid who can read minds (William Jackson Harper), plus vaguely human-shaped beings with glowing blue heads, others with green floret-topped heads that Hank likens to broccoli, lizardy hybrids, jellyfish-like floaters, gigantic flying stingrays, and buildings that are alive. Hank Pym (Michael Douglas), who devised the technology with which they shrink down to bug size yet exert colossal force; and Janet van Dyne (Michelle Pfeiffer), Hank’s wife and Hope’s mother (and the original Wasp), who was trapped for thirty years in the infinitesimal, subatomic Quantum Realm. Just as the trouble with Bible-thumping is the thumping, not the Bible, the problem with superhero-franchise movies isn’t the source material but the uses to which it’s put.