Nick Offerman and Murray Bartlett shine as a couple who remind us what it means to be human, in the HBO series' extraordinary third episode.
What a fabulous, fabulous episode of television, down to that final image of the bedroom window Bill left open so that the home he and Frank made together would not be tainted by the smell of what they have become after death. Bill at first seems to be taking pity on Frank by inviting him in for dinner, but it’s clear almost immediately that he is taking pleasure in both the company and the chance to show off his skills as a host. “There is no girl.” In that exchange, we understand that this is a part of himself Bill was terrified to show the world in the before times. It would be a blast, after all, to have Bill travel with them for a while, or even to just get one scene between the four of them. It’s clear that Frank would have loved Ellie, and it’s not hard to imagine Bill developing a thinly-veiled respect for her in a hurry. But Frank — who seems a very social creature, and quite taken with Bill even before recognizing his host’s deep secret — does, indeed, want him, and not just because he knows that life in this house would be pretty sweet. Soon he has a heavily-protected compound with vegetables growing in the garden, chickens to provide eggs and other forms of protein, and no one to bother him. The soldiers finish clearing out the town, or so they believe, because Bill is the kind of hardcore doomsday prepper who has a bunker hidden below his basement for just this eventuality(*). (*) My understanding is that Frank is already dead when Joel and Ellie encounter Bill, while Bill is played by the great character actor W. And just as The Mandalorian could get away with casting [Timothy Olyphant](https://www.rollingstone.com/tv-movies/tv-movie-features/timothy-olyphant-deadwood-interview-835207/) as Jetpack Raylan Givens because nobody plays that archetype better, The Last of Us gets enormous value out of the shorthand that comes from, for instance, inviting Offerman to play a slightly less cartoonish and infinitely more damaged version of [Ron Swanson](https://www.rollingstone.com/music/music-news/captain-america-why-ron-swanson-from-parks-and-recreation-is-the-angry-white-dudes-ultimate-hero-92862/). Ellie is a lot more verbal than [Grogu](https://www.rollingstone.com/tv-movies/tv-movie-recaps/mandalorian-recap-season-2-episode-5-jedi-baby-yoda-name-1095806/) (just as Joel is a whole lot more expressive than Mando), but it’s a similar contrast of taciturn combat-readiness and childlike wonder. [Tess gone](https://www.rollingstone.com/tv-movies/tv-movie-recaps/the-last-of-us-season-1-episode-2-recap-hbo-anna-torv-tess-death-1234661763/) — though she appears in flashbacks later in this episode — the series is leaning harder than ever on the Lone Wolf and Cub dynamic between Joel and Ellie that [Pedro Pascal](https://www.rollingstone.com/tv-movies/tv-movie-features/game-of-thrones-pedro-pascal-on-playing-the-red-viper-189463/) already has some familiarity with from his work on [The Mandalorian](https://www.rollingstone.com/tv-movies/tv-movie-recaps/mandalorian-season-2-finale-rescue-recap-1105641/).
For its first two episodes, HBO's “The Last of Us” remains remarkably true to its source material, the 2013 Playstation 3 video game widely regarded as one of ...
“Even though I’m not a middle-aged, married gay man, I’m a middle-aged, married man,” he said. “So this was a great counterpoint of what you stand to gain in this very beautiful way.” You get all the lows and highs of a relationship.” But for the series, he was especially taken with how Mazin and Druckmann had used Bill and Frank’s story as a respite from the “emotionally draining” aspects of the game that made him feel like “human beings are shit,” rather than leaning into it. It was important to me to show the span of a relationship accounting for that. “There was loads of layers to all of this, which I also love because it’s a huge, huge undertaking,” said Hoar. “It’s this incredibly well-outfitted boat, and were the two sailors brought on board,” Offerman said. “In a world that’s monstrous and alienating, the opportunity to show intimacy allows it to be even more poignant,” he said. It felt it was a worthwhile change because of what we were getting in return.” “Frank’s an out and proud gay man, but Bill is Bill,” he said. Written by Mazin and directed by Peter Hoar (“It’s a Sin”), it is easily one of the most extraordinary episodes of television in recent memory, managing to capture in its 75-minute runtime the full arc of Bill and Frank’s profound connection to each other in all of its complexity. Whereas Bill focused all his energy on being a “survivor,” Frank “needed more out of life.”
Nick Offerman and Murray Bartlett interviewed about that unexpected romantic detour in 'The Last of Us' episode 3.
It’s a testament to the beautiful writing and crafting of this show that it gives space for this which makes it even more powerful. That final moment allows you to remember all the things you’ve seen of this relationship, rather than confining it to a final image of these people. Bill is such a survivalist and such a pragmatist that making the decision to end his life is sort of the ultimate sacrifice for his character – not just as an act of love, but that it goes against everything we knew about his nature until they met. And because the scenes that we’re playing are so beautiful, I love those scenes. Murray Bartlett: You want to be authentically believable in whatever you’re doing, so I was hyper aware and obsessive about trying to get those details right. I’m not a gamer, so I wasn’t familiar with the game, but I am a huge fan of Chernobyl, which was one of the best pieces of television I had ever seen. And I don’t have a lot of vanity. It seems like the more that time passes in Hollywood, both actors and audiences have gotten, oddly enough, less comfortable with portraying sex and intimacy on screen. Nick Offerman: You don’t put a gun on the stage if you don’t intend to see it fired. Or is it only the situation which makes the viewers so uncertain about him? Craig said, “Here’s the script and, and you get to do this with Murray Bartlett.” I just said [to myself[, “Please don’t fuck this up. [Nick Offerman](https://www.hollywoodreporter.com/t/nick-offerman/)) and affable traveler Frank (The White Lotus‘ [Murray Bartlett](https://www.hollywoodreporter.com/t/murray-bartlett/)) who become lovers that successfully fend off the horrors of the outside world across a 20-year partnership.
Bill (Nick Offerman) is a conspiracy theory survivalist who avoids being carted away with the rest of his town by government operation FEDRA by hiding in his ...
Mazin thought that by episode three of the series—which kicks off with two action and plot-heavy installments—the audience was going to need a moment to breathe. While Bill and Frank appear in the game, their roles are much different: Bill interacts with Joel and Ellie, while Frank is only alluded to as Bill's partner who grew frustrated with confinement, left Bill, and killed himself when he learned he had become infected. For co-creator Craig Mazin, writing the episode was about showing a relationship that thrives in the darkness of this dystopia, but also presenting the different kinds of love that can exist in this world.
Nick Offerman talks going next level as survivalist Bill in "The Last of Us." Bill's lonely life changes with the arrival of Frank (Murray Bartlett).
What bottle of fine wine does Bill choose for their last meal? [Nick Offerman](https://www.usatoday.com/story/life/movies/2018/06/15/nick-offerman-ultimate-fathers-day-guide/704178002/) fits the role of Bill as snugly as the gas mask the survivalist dons in HBO's [ "The Last of Us." It was a blast and scary. To me, that's a pretty disposable thought. It's about taking care of one another, selflessness, and committing to be together through the screaming matches. But I happen to be married to someone who's done many Broadway musicals. We have a meal, share some time at the piano and some time in the bedroom and then it slams out the door with us screaming at each other in the street. "It's like, 'Let's just take a second and focus on what actually makes life worth living.' The episode answers questions: 'Why should we give a (expletive)? Exactly where does the love start? And he relishes watching zombies get smoked in his traps. It's the greatest script I've ever been handed. But his comfortable existence within his personal fenced fortress is challenged by trespassing traveler Frank (
Before playing Bill in The Last of Us, Nick Offerman took on another reclusive and mysterious role as Forest in Devs.
Those that missed out on Devs will certainly be surprised to see what a capable dramatic actor Offerman is during his appearances in The Last of Us. Bill’s backstory is one of the key emotional moments, as he explains the death of his partner to Joel. However, Devs proved that he could slowly unravel a complex character in order to deliver a surprising, and absolutely unforgettable dramatic performance. The “Devs” program allows Forest to access memories and recreate moments from the past, but he can’t stop himself from replaying a single moment over and over again. Similar to the empathy that The Last of Us fans felt for Bill when he parted ways with Joel, Offerman is able to make us recognize, yet not approve of Forest’s actions. [The Last of Us stood out because of its emotional impact](https://collider.com/the-last-of-us-must-haves-for-hbo-series/); players got to experience the same emotional journey of a film as they worked their way through the story. [Devs](https://collider.com/tag/devs/) centers on the software engineer Lily Chan ( [Sonoya Mizuno](https://collider.com/tag/sonoya-mizuno/)), who goes out in search of her boyfriend Sergei Pavlov (Karl Glusman) after he mysteriously disappears. However, the simple cadence of Offerman’s voice carries so much conviction that it’s easy to see that Forest believes that he is above everyone else. It’s a masterful dramatic performance that draws the viewers’ attention to the screen, even when Garland’s writing is a little obtuse. In Devs, Forest speaks in such obscure terminology about his mysterious projection project that it’s unclear as to what he’s actually doing. In the first episode, Sergei questions Forest on the protocol and duties involved with his coveted new position. However, one name that might raise a few eyebrows is [Nick Offerman](https://collider.com/tag/nick-offerman/), who is best known for his hilariously endearing role as Ron Swanson in Parks and Recreation.
The actor's latest guest role is beautifully against type. (Mild spoilers for the latest episode.)
He has protested that fans who think Ron would have voted for Trump have fundamentally misunderstood “the wholesome and decent values of our show and my character,” and he [seems bewildered](https://www.independent.co.uk/arts-entertainment/tv/features/nick-offerman-interview-ron-swanson-b1947949.html) by others’ assumption that he has a “weird, Fox News” value system in real life. [comedy shows](https://www.youtube.com/watch?v=FtoiSCBEh-k) and [podcasts](https://www.earwolf.com/show/in-bed-with-nick-offerman-and-megan-mullally/) together. He runs a [woodshop](https://offermanwoodshop.com/) where he sometimes hosts [YouTube](https://www.youtube.com/watch?v=Gh6H7Md_L2k) [tours](https://www.youtube.com/watch?v=zIA2Xl8P7Es), and he calls woodworking his “ [other first love](https://www.outsideonline.com/culture/love-humor/nick-offerman-column-thoreau-candy-ass/)” aside from acting. He’s a talented carpenter who can build himself a canoe (and has), but he’ll only use lumber from felled trees, so as to protect local ecosystems from the destructive consequences of deforestation. [When asked](https://www.youtube.com/watch?v=YbZmhgtZkdg) to give an opinion on a drone that could deliver pizza, he muses that he’s accustomed to modern luxuries just like anyone else, but that “we forget to ask questions like ‘Who’s making this pizza? He’s [written](https://nickofferman.co/books/paddle-your-own-canoe/) [books](https://nickofferman.co/books/where-the-deer-and-the-antelope-play/) about his country-life upbringing in Joliet, Illinois, and his road trips across America’s national parks. [red meat](https://nickofferman.substack.com/p/bacon-needs-no-help), and [dark liquor](https://www.youtube.com/watch?v=LS-ErOKpO4E), and a deep mistrust for government overreach. His marriage to fellow comedian Megan Mullally, with whom he frequently collaborates, has been a cornerstone of his image for years. Bill’s story arc may seem like a complete subversion of Offerman’s public image, but in truth, his loving heart has been on full display all along. His first book, 2013’s Paddle Your Own Canoe, included diagrams of acceptable cuts of meat (all pork and beef, no poultry or seafood) and styles of facial hair (yes to bushy, no to funny), in the vein of the famous [Swanson Pyramid of Greatness](https://www.nbcstore.com/products/parks-and-recreation-swanson-pyramid-of-greatness-poster). [Outside magazine](https://www.outsideonline.com/byline/nick-offerman/) with tales of trapping raccoons and defending Thoreau. When Bill first appears on the latest episode of The Last of Us, he’s just a shadow in a basement.
The third episode of HBO's post-apocalyptic The Last of Us series, "Long Long Time", recalls a decade-and-a-half of impossible gay romance.
It’s the nicest, I think, as an actor if you can do it in order, so there’s cause and effect. From a storytelling perspective, granting Bill and Frank over a decade-and-a-half to breathe makes their story all the more affecting. Offerman: I mean, in those cases, you try and do it as chronologically as possible. Frank falls into one of many holes dug around the perimeter, is rescued by a cautious Bill, and an unlikely love blossoms — hardly the product you'd expect of a world-ending pandemic. What we get, then, is the beautiful, bold chronicle of an impossible relationship between two men seemingly destined to be together; you'd call it serendipity, if not for the global cataclysm that enables it. I’m completely unfamiliar with games, I can name a few games that I’ve heard about, like first-person shooter games, from hearing them talked about…
'The Last of Us': Nick Offerman and Murray Bartlett discuss Bill and Frank in Season 1, Episode 3 -- Watch their video interview.
(Read a [detailed recap here](https://tvline.com/2023/01/29/the-last-of-us-recap-season-1-episode-3-bill-frank/).) Rehashing it here will harsh my post-ep buzz the way that crushing the strawberry patch would’ve messed with Frank, and nobody needs that.) [Nick Offerman](https://tvline.com/tag/nick-offerman/)) who was perfectly happy as the lone, post-Outbreak Day survivor in his Massachusetts suburb.
With his portrayal of Bill in The Last of Us, Nick Offerman delivers a memorable performance worthy of heralding for years to come.
But with his portrayal of Bill in The Last of Us, Offerman proves that his talents exceed previous expectations and are so wildly compelling that he could easily see award nominations for this performance or future ones. He was mired in his own stew of cynicism and paranoia, but now dread and trepidation follow him at every turn, for the fear of losing Frank to the perils of this horrifying world is omnipresent. When Joel offers Bill a deal that will help secure his fence and thereby provide safety for both Bill and Frank, there is a war of emotions in Bill's eyes. Joel has correctly found Bill's weakness, his love for Frank, and although Bill does not wish to rely on a stranger, he knows that if Joel is telling the truth, such supplies could come in handy. Frank persuades Bill to momentarily drop his guard and allow Frank inside for a bite to eat. When Bill takes off his gas mask and surveys the otherwise empty streets, Offerman's look of mischievous self-satisfaction says it all: this is the moment that he's been waiting for his entire life. Fortunately, the series adaptation gives Bill countless opportunities to change and grow, with Murray Bartlett's Frank gently pushing him along the way. The distinction is that the game's version of Bill is incapable of changing or softening the harder edges of his nature. After Offerman's Bill avoids government evacuation by hiding out in a secret survivalist shelter, he becomes the lone owner and occupant of a small town. Offerman's performance allows the audience to experience Bill's full transformation from gruff hermit to tragic, empathetic lover, and this is why it is the greatest performance that Offerman has ever given. In the game it is unclear what happens to Bill after he sees Joel and Ellie off on their journey, but HBO's Bill never even has the opportunity to meet Ellie or see Joel again. [The Last of Us](https://collider.com/tag/the-last-of-us/) video game's version of Bill is a man stubbornly set in his ways who often irritates, antagonizes, and alienates the people around him, HBO's version of the character is a layered and deeply satisfying portrayal, showcasing both Bill's harder, less likable edges and his deeply sensitive, long-suffering heart.
Parks and Rec is at its best when Ron and Tammy, played by real-life couple Nick Offerman and Megan Mullally, are making out or fighting it out.
It’s Ron's care for Tom that brings him back to himself in “Ron & Tammy: Part 2” in Season 3, and love for his new partner and family in later seasons that keeps him out of Tammy’s arms altogether. “Ron and Tammy,” our introduction to the woman and the relationship, was the eighth episode of Season 2 of Parks and Recreation, early in the show’s run while it was still figuring out its tone and how its characters would respond to Leslie’s unrelenting energy and optimism. Gone is both his reserve and resolve — with Tammy, Ron is a powder keg of emotions and a puppet on her g-string. Once again, it’s only the bonds of friendship that free him, when he watches Tammy smack Tom Haverford (Aziz Ansari) around and remembers once again that looking into Tammy’s eyes is like “staring into the eye of Satan’s butthole.” Throughout the rest of Parks and Recreation, her increasingly and hysterically unhinged attempts to get Ron back into bed and into the palm of her hand fail — his love for another brunette with a new name, Diane (Lucy Lawless), finally overpowers his horny hate for his second ex-wife. What starts as coffee leads to screaming and then to snogging, first in the middle of a diner and then in the hourly embrace of a motel bed. The actors' chemistry and ease together as performers allow both to go truly, hilariously off the rails while revealing a side of Ron no other character can bring out, making every wild encounter an uncomfortable delight and a key bit of storytelling.
It was a cute, extremely relatable moment in one of the most incredible, heartbreaking episodes of television I've ever seen.
Watching this facade both strengthen and crumble the second he meets Frank (Murray Bartlett) was just a drop in the bucket of why this is one of the best-ever episodes of television. The episode is filled with similar tiny and heartwarming moments, with Linda Ronstadt’s “Long, Long Time” as the soundtrack throughout. Bill and Frank meet after Frank stumbles onto Bill’s property (four years after the start of the pandemic) and falls into one of his booby traps. And we’re catapulted into their 15-year epic love story that is so beautiful, so touching, so devastating, I question if I’ve ever even known a love story before this. Fans of the video game (on which the series is based) kind of knew what was coming—but I ended my weekend in a pool of tears and snot, desperately scrolling through Twitter so I could laugh at some silly tweets in an attempt to stave off a full-blown emotional breakdown. [made up of Nazis](https://twitter.com/proudbugman/status/1620108056163143680) and who evades his small town’s military-mandated evacuation by hiding out in a bunker he’s constructed beneath his basement.
Nick Offerman and Murray Bartlett portray lovers in The Last Of Us, fueling interest if the actors are actually gay off-screen.
Murray, on the other hand, revealed his homosexuality early in his career. Luckily, Murray had a strong support system that made him feel confident in his identity. When I read scripts, if there’s any kind of humor that’s misogynistic or homophobic or racist, that is just a red flag.” While a little love is what we needed amid constant scenes of survival, fans were left sobbing after discovering it wasn’t a happy ending for the characters. She is best known for portraying Karen Walker in Will & Grace. Whether you’re a loyal fan of The Last Of Us game or not, HBO has viewers hooked on their latest drama series.