Charlie Puth

Musician and Stern Show superfan also deconstructs Robin Quivers' theme song and chats with Wack Packer Jeff the Drunk.

“If I do, certainly the media won’t know about it,” he insisted before adding, “I’ll go out of my way to make sure they don’t know … “It’s theatrical in a way and sure, maybe I’ll do a cover of that one day or include it in my set with Jan, but I just love, again, that I had something to do with that at all.” “I’m, not really interested in going out like I used to and being crazy.” “She’s always been very, very nice to me and I would assume that when times inevitably are hard in the future, because what is life without valleys and peaks, she would be there for me as well.” “I love being behind the curtain as much as in front of the curtain.” “[She’s] someone that I grew up with,” he revealed to Howard of his significant other, noting she was good to him well before he was a boldfaced name. I love the fact that I was behind the scenes on that one.” “The funny thing about that song is it was in double time in the verse … When it came to Springsteen, one of Charlie’s favorite songs was “Jungleland.” “I put it up there with ‘Bohemian Rhapsody’ as one of the most impressive piano parts … “Two years later, I went to California, on Cahuenga Boulevard at the old Death Row studios, and they were working on this song – it had [the] ‘See You Again’ chords, but it was really synth-y,” he recalled. For the Piano Man, Puth heaped praise on “Lullabye (Goodnight, My Angel),” Joel’s 1994 ode to his daughter, and “She’s Always a Woman” while giving them a whirl. “The genius of Bruce Springsteen is that it’s all feeling,” he continued.