Reboot

The biting but uneven meta comedy shines thanks to a cast that includes Judy Greer, Keegan-Michael Key, and Rachel Bloom.

Some would even venture to call it, in the words of old-school marketing, “Must-See TV.” [Full House](https://www.avclub.com/how-can-we-miss-full-house-when-it-won-t-leave-1798279690), Family Ties, or [Married...With Children](https://www.avclub.com/married-with-children-gave-us-an-unhappy-family-like-n-1798260049). [American Vandal](https://www.avclub.com/tv/reviews/american-vandal) (an excellent sendup of both true crime and mockumentaries), there is [ The Woman In The House Across The Street From The Girl In The Window ](https://www.avclub.com/woman-in-house-kristen-bell-netflix-review-1848407322)(an awful attempt to lampoon literary thriller adaptations). [Modern Family](https://www.avclub.com/tv/reviews/modern-family). [Pre-orderApple AirPods Pro (2nd Generation)](https://www.amazon.com/dp/B0BDHWDR12?asc_campaign=InlineMobile&asc_refurl=https://www.avclub.com/reboot-review-hulu-tv-judy-greer-1849544996&asc_source=direct&imprToken=44c1ab03-df3f-a98c-f1d&ots=1&slotNum=1&tag=kinjaavclubpromo-20) Clay seeks redemption for his actions while filming the original, and former child star Zack wants the independence of an adult, except his mom still accompanies him to set every day. Reiser and Bloom’s heartfelt dynamic grounds the show, too, and Worthy has a charming rom-com subplot with Krista Marie Yu’s Elaine, who serves as Hulu’s VP of Comedy even though she has no experience in the field. For the most part, Reboot buoyantly tackles these serious issues and establishes an eccentric, unrestrained voice. The reunion prompts this dysfunctional group to deal with issues they had long abandoned, like Reed and Bree reckoning with their breakup. [Reboo](https://www.avclub.com/tv/reviews/Reboot-2022)t only five minutes to epitomize its central thesis. So it’s disappointing when the show loses sight of its compelling absurdity as it goes on. In a meta twist, Sundance-acclaimed writer Hannah (Rachel Bloom) pitches the revival of a famous ’90s sitcom to Hulu executives who’ve just boasted about bravely renewing [The Handmaid’s Tale](https://www.avclub.com/tv/reviews/the-handmaids-tale).

An early 2000s hit gets another go in Hulu's backstage comedy, starring Paul Reiser and Rachel Bloom and created by “Modern Family's” Steven Levitan.

In the pilot, when concerns are raised about Hulu passing on a redux of “Step Right Up,” someone scoffs and points out that it’s the network that greenlighted a fifth season of “The Handmaid’s Tale.” Anything’s possible! [the Bechdel test](https://www.latimes.com/entertainment-arts/movies/story/2022-06-08/fire-island-bechdel-test-joel-kim-booster-bowen-yang-response) to vet the work of their elders. “Reboot” is deeply ingrained in the entertainment ecosystem it lampoons. The tension between the two is heightened by the fact that Hannah and Gordon also happen to be an estranged daughter and father with major issues that spill out at work. In this paradoxical comedy, young writer Hannah (Rachel Bloom) pitches her idea for the reboot to Hulu with a vision of making it smarter and more realistic than its goofy predecessor. Corny jokes and smart humor battle it out in “Reboot,” a half-hour comedy about a millennial writer’s effort to revamp an early 2000s family sitcom for a new generation of viewers.

The meta aspects of a Hulu comedy about the making of a Hulu comedy quickly pile up in "Reboot," a fictional show about reviving a series from the early ...

In 25 or 30 years, there might even be a “Reboot” reboot. Then again, that’s part of the latitude that streaming allows, and other elements, like the inter-generational conflict, prove frequently funny, and occasionally a little bit sweet. Plus, the network has insisted on casting a reality-TV star (

Keegan-Michael Key, Judy Greer, Paul Reiser, and Rachel Bloom star in this TV comedy about the artifice of late-20th-century TV comedies.

Now, it remains to be seen whether [Bel-Air](https://time.com/6144732/bel-air-review-peacock/)—a gritty, teen-drama reboot of [The Fresh Prince of Bel-Air](https://time.com/4021944/quincy-jones-borowitz-fresh-prince-bel-air-anniversary/) that premiered on the same platform in February—will survive past Peacock’s initial two-season order. More poignant was Netflix’s [BoJack Horseman](https://time.com/5774893/bojack-horseman-finale-recap-review/), an animated dramedy about a vice-addled anthropomorphic horse who starred in a ’90s sitcom, Horsin’ Around, as the surrogate father to three human orphans. Reboot, an essentially optimistic comedy that exposes the artifice of a more antiquated brand of optimistic comedy, makes the case that kale and macaroni belong on the same plate—that Hannah and Gordon are better off collaborating across the generation gap. [bingeing Game of Thrones](https://time.com/5517025/game-of-thrones-binge-watch-recaps/). More importantly, both shows are interested in wholesome family sitcoms’ relationship to the experience of growing up in a real, imperfect family. [Too Many Cooks](https://www.youtube.com/watch?v=QrGrOK8oZG8),” the viral 2014 Adult Swim short, spun a hokey, Full-House-style opening credits sequence into a delirious sendup of late-20th-century TV that succinctly surveys its hundreds of nonsensical tropes. [Doctor Who ](https://time.com/3159695/doctor-who-doctors/)and [Battlestar Galactica](https://time.com/collection-post/3100889/battlestar-galactica/) certainly proved that such projects could succeed. (Didn’t it just figure that ABC’s 2018 Roseanne revival had to kill off its lead and become [The Conners](https://time.com/5426408/the-conners-review-roseanne-spinoff/) after some nasty Twitter invective from the [real Roseanne](https://time.com/5294568/roseanne-cancellation-abc-racism/)?) [reportedly dropped off by 52%](https://www.businessinsider.com/why-netflix-fuller-house-was-canceled-analysis-of-viewership-2019-2) between seasons 1 and 2. Updated with a few nonwhite cast members and the occasional joke about social media, its tone—saccharine-sweet and optimistic to the point of delusion—could have come straight out of a time capsule from ABC’s bygone, family-friendly “TGIF” lineup. Just as Hannah’s vision of the show starts to take shape, the execs drop a bombshell: Step Right Up’s baby boomer creator, Gordon (Paul Reiser), thinks her script is too dark and socially conscious, and has returned to “fix” it. [The Larry Sanders Show](https://time.com/collection-post/3103615/the-larry-sanders-show/)), Reboot is meta to the max.

Reboot premieres with three episodes this Tuesday, Sept. 20 on Hulu. Reboot may be super late to the game when it comes to meta-skewering Hollywood but its ...

And also as both a celebration and a denunciation of the industry. By this point, as a viewer, you'll have learned that no one is as bad as they first appeared and that the righteous have imperfections and the supposed villains have the capacity to grow. The first episode, "Step Right Up" (each one is given a sitcom for a title, including this faux one), focuses on the set up and getting the original actors back in play... Matt Fowler [Hocus Pocus 2 - Official Teaser TrailerCheck out the teaser trailer for Hocus Pocus 2.It's been 29 years since someone lit the Black Flame Candle and resurrected the 17th-century sisters, and they are looking for revenge. of the show, no one is wasted here for the sake of one laugh. Meta-lampoonings about the biz often go too far with nastiness and it ultimately hurts the laughs. Each of them are given hangups and weaknesses that contain hidden gifts as Reboot is way more than a one-gag series. only for them to find out Gordon's also back and the edginess Reed was excited about is in danger of being hugely compromised by traditional sitcom humor. Reboot tackles a trend that's grown exponentially popular in the streaming era: revamping/refreshing a beloved old family sitcom, and it's got a killer angle (that won't get fully spoiled here). The returning actors, now almost two decades out from their hit show, serve as the rest of the meal, with Key's Reed being the self-important "actor" in the group, Knoxville's Clay being the derelict standup comic, and Greer's Bree as the actress in her 40s paranoid about her age. It doesn't break the rules, it bends them. It's clever, surprising, and manages to juggle a few disparate tones quite well.

The veteran television creator and his actors like Keegan-Michael Key, Paul Reiser and Rachel Bloom open up about why they aim to please (not insult) with ...

“And he he’s so in tune with the rhythms and the musicality of comedy that he knows how to just to make one little small adjustment and it can make an entire scene work. “It’s a world that I know so well so it was really fun to turn the camera around and show what it’s like to make a show. Some people call it a spoof or a satire but Steve and myself call it a love letter to this world that we love. “The best way to describe Steve is that he’s like a conductor of an orchestra. “Steve personifies all the things that we all love about this business and his take on the people in front of and behind the camera is so much more than a send up of our industry,” offered Burke, 20th Television president. “There were moments where we were supposed to be running a writers room and the whiteboard actually had the story from the pilot of Step Right Up,” explained Bloom. “It occurred to me while I was out on the red carpet with all the [cameras] flashing that, you know, that’s kind of natural to me after all these years in this business. Steve has spent thousands and thousands of hours — in spite of how young he looks — making television, but also astutely observing the people who make television — often right here at 20th, where we have had the pleasure of knowing and collaborating with Steve for over two decades, which is shocking because again, he’s very young.” “Steve and I have known each other for years socially, and one day, he just said, ‘I want to talk to you about this show idea.’ As soon as he finished telling me the idea, I went, ‘Oh my god, how has no one thought of this yet? Bloom plays the show runner Hannah who pitches the reboot to executives at Hulu in the opening scene of the eight episode first season. Sometimes you can have a room full of very normal people sitting around having a conversation about something absurd and I wanted to capture that as well.” “I’ve met so many amazing people and some of them were, you know, unbelievably weird and quirky and that’s what I wanted to capture.

The new Hulu series is an affectionate satire of TV and Hollywood, mixed with a workplace comedy that has some rom-com elements.

And it’s well-cast, with Keegan-Michael Key, Judy Greer, Johnny Knoxville, and Calum Worth as the members of the original “Step Right Up” cast who get pulled into the reboot. From Steve Levitan of “Just Shoot Me” and “Modern Family,” it’s cleverly written, with laugh-out-loud bits and a regular stream of amusing meta humor (including references to Hulu). If you’re looking for a comedy that is going to cold-bloodedly skewer the stubborn reboot trend, “Reboot” probably won’t satisfy you.

In an exclusive chat with E! News, the stars of Hulu's Reboot revealed where they stand on bringing back classic television shows. See what they said!

Though he did appreciate that Hulu was in on the joke, adding, "There getting so much free advertising." "And say, 'What if we were to explore that in a dramatic way?' That is very interesting to me." "It's very brave to take something like Bel-Air and try to move that forward," he added. "'There's nothing out there that we can try?'" The well is dry, guys?'" she said to E! Judy, who plays TV mom-turned-duchess Bree Marie Jensen in the Hulu comedy, shared that she's found it "frustrating" to see original ideas get passed over for revival projects.

Rachel Bloom, Keegan-Michael Key, Johnny Knoxville, Judy Greer, Calum Worthy, Krista Marie Yu and creator Steven Levitan discuss their inside Hollywood ...

"I wrote the lyrics because I needed them to be just the right amount of insipid," Levitan said. "You really couldn't make a mistake," Knoxville said. No, no, no, let's make it a dinosaur. Yu called the orchestra "breathtaking," and Worthy said the scene reminded him how impressive a studio lot is. "I think the shot they used was actually our real reactions," Worthy said. "So it did feel like the lines between reality and the show were always blurry." "Also, I feel like it's a love letter from [creator] Steve Levitan to show business." You realize the camera behind the camera is a real camera." Bloom said Reboot's show within a show premise made it easier to navigate the artificiality of production. "It is a little confusing at times." "It made it easier because you're on a set and then you act like you're on a set," Bloom said. "That's a fake camera.

Reboots borrow more than others, but this is ultimately beneficial as consumers are more willing to invest time and energy in stories and characters they ...

This theory exists to delegitimize the achievements of African people now and in the past, and a revival of Stargate can counter the bias implicit in this theory as a narrative device. The on-screen chemistry between the actors and their embodiment of these characters makes them among the most compelling, relatable, and subtly complex in the genre. The same is true of the military tasked with running the Stargate program. Almost never applied to works of ancient European achievements, these theories are most often believed about the ingenuity of ancient societies of color. A reboot is an opportunity to formalize and flesh out the lore. The way Stargate incorporates historical fiction and mythology is rarely seen in sci-fi. Elizabeth Weir (Tori Higginson) and Major John Sheppard (Joe Flanigan) as they lead a team of soldiers and scientists through the Stargate to the lost city of Atlantis, located not just on another planet but in another galaxy. This narrative freedom lends itself to flexibility of storytelling arcs, making striking the balance between multi-episode arcs and episodic stories easy. The most obvious example of this uniqueness is the franchise’s approach to interplanetary travel. The Stargate franchise began with the release of a feature film in October 1994, followed by three television series that collectively ran from 1997 to 2010.The original Stargate film was directed by Roland Emmerich who also co-wrote the film with producer Dean Devlin. Stargate plays with time travel as well by replacing the paradoxes inherent in it with visiting planets in which transplanted humans still live in the cultures of the past. The series begins not long after the events of the film and follows Colonel O’Neill (Richard Dean Anderson) and his Stargate “SG” team: Dr.

In an exclusive chat with E! News, the stars of Hulu's Reboot revealed where they stand on bringing back classic television shows. See what they said!

Though he did appreciate that Hulu was in on the joke, adding, "There getting so much free advertising." "And say, 'What if we were to explore that in a dramatic way?' That is very interesting to me." "It's very brave to take something like Bel-Air and try to move that forward," he added. "'There's nothing out there that we can try?'" The well is dry, guys?'" she said to E! Judy, who plays TV mom-turned-duchess Bree Marie Jensen in the Hulu comedy, shared that she's found it "frustrating" to see original ideas get passed over for revival projects.

Hulu's 'Reboot,' starring Keegan-Michael Key, focuses on the revival of a family sitcom — read recap of meta comedy's first three episodes.

He argues that he was so committed to the moment that he felt what his character was feeling. Timberly starts to improve when Sterling begins coaching her, but Bree attempts to sabotage her with a string of awful acting tips. The series, we’re told, originally ended after star Sterling Reed (Schmigadoon‘s Keegan-Michael Key) quit to pursue a serious acting career, and the cast hasn’t seen each other since.

Calum Worthy and Krista Marie Yu both cut their teeth on sitcoms in their formative years, so what's it like for them to star in a sitcom about making a ...

Worthy: I was seated at the end of a table, and it was Lawrence and it was Paul and Johnny [Knoxville] and I. And if I remember correctly, it was a single dad and he was moving with his kids and they signed the mortgage, and as soon as they signed the mortgage, they moved in and found out there was a mummified mummy that was alive and living in the attic. It's been a wonderful opportunity to reflect and think about how weird and odd it is to grow up in this industry. Worthy: Yeah, that's the thing, when you're on a show where everyone is so funny, the entire set is just a playground for comedic bits. So whether you're getting driven to another set, the whole van is just a bunch of jokes. So I knew going into a scene that it was going to be great. And yes, it is super meta, and I do believe that most of my comedic inspiration has come from the cast of "Dr. I mean the stairs and the atrium, everything is the same, and the front door. It's been a great opportunity for me to reflect on my own experience and the experience that a lot of my friends had as well. One of the biggest ones that sticks with me recently from Tim was to be okay with making mistakes. [Reboot](https://www.slashfilm.com/1009837/hulus-reboot-release-date-trailer-and-more-for-keegan-michael-keys-sitcom-satire/)," from "Modern Family" creator [Steven Levitan](https://www.slashfilm.com/1015215/hulus-reboot-creator-steven-levitan-talks-being-free-of-network-censors-avoiding-schmaltz-and-more-exclusive-interview/), follows the creation of a revival of the fictional early 2000s sitcom "Step Right Up," a riff on shows like "Full House" and "Step by Step." [American Vandal](https://www.slashfilm.com/1002982/tv-interrupted-the-cancellation-of-american-vandal-was-a-true-crime/)" and "The Act."

“Reboot” creator Steven Levitan admits that having a cast stacked with Hollywood veterans, including Keegan-Michael Key, Judy Greer, Johnny Knoxville, ...

“I have the theory that she came up with this show in therapy and then was like, ‘Wait — should I actually pitch this show?’ So that specificity to her point of view as an artist really resonated with me.” “I have not been that actor, but I have met those actors when you sometimes go, ‘So did you want to tell me again where that was that you went to school? “You want to root for her, so if there’s nothing to root for, then I don’t know that people will keep tuning in. “The way Hannah reenacts her trauma in the art she makes is very one to one with what I do,” the “Crazy Ex-Girlfriend” star and creator revealed. “But right now I love this business, I’ve been very fortunate to be in this business and I wanted to do … “I didn’t feel like I was being mean spirited because I wasn’t trying to be, I wasn’t trying to take anybody down.

After more than a dozen concussions, the actor is hanging up his 'Jackass' cap and starring in a Hulu satire.

Was there anything that you especially wanted to make sure that you got right in portraying this aspect of the character? And if you have substance abuse problems or anyone you know does, the wanting to change is everything. And not only did it work out, it was a great experience and I’m proud of the work we did. It’s a real sitcom using a fake sitcom to make a metacommentary about the business of television and celebrity. And since the old episodes of the show do well on the platform, Hulu’s happy to revive it; they just might want to bring back the original showrunner, Gordon Gelman (Paul Reiser), to impose his antique comic sensibilities onto Hannah’s vision. She wants to bring back the original cast, including Reed Sterling (Keegan-Michael Key), Bree Marie Jensen (Judy Greer), Zack Jackson (Calum Worthy), and Clay Barber (Knoxville).

If you thought that serious-looking collision with a bull from "Jackass Forever" was enough to send Johnny Knoxville out of commission from stunt work, ...

"Sometimes they're like, 'Oh, we just need to line up the shot for lighting before you do it,'" he explained. This sounds like a good compromise to make, and it certainly looks like a seamless transition on the show. According to Knoxville, the stunt performer would prepare for the stunt itself before he took their place. Alongside Greer and Key, the meta-comedy stars Rachel Bloom, Paul Reiser, Calum Worthy, and Krista Marie Yu. /Film's Ethan Anderton recently spoke with Knoxville and co-star Judy Greer about the show, where they play cast members of a revived sitcom navigating the tumultuous 2020s comedy space. Sure, while an official "Jackass" revival

The Reboot stars and creator leap into new comedic territory and reveal why it's the perfect time to bring the series to life.

“I love to make people laugh,” Greer went on, “And I hope people think the show is funny. “The idea of doing a show on streaming appealed to me because I can take that further than I did with network television, both in language and in situations,” he said. “I love playing Bree,” Greer shared, “and I was excited about this because the cast brings something unique, special, and funny to the show. And sometimes those little moments became like a love letter from me to this business." “And mostly in time. “And there are some moments in the stories we’re telling that just tickled me.” and Back to You. Well, that and, “Johnny and Steve used to date a long time ago,” she kidded, referring to Knoxville and Levitan. She’s long been “the funny friend” or witty neighbor in TV shows or movies. I felt that anybody who has been in television that long had a lot to make fun of, and that we, as actors, would have a lot of great scripts. “It gave me a chance to start writing about all my years in television,” Levitan noted. “Because it's been a wonderful business for me, but it's also been filled with refreshing moments and very hard moments.