Vangelis

Vangelis was born Evangelos Odysseas Papathanassiou in the Greek town of Agria. He was a self-taught musician who became a young piano prodigy. Then he moved to ...

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Vangelis, whose instantly recognizable musical theme for 1981's Chariots of Fire won an Oscar and became a sort of aural shorthand for tales of endurance ...

The two would reunite in 1992 for 1492: Conquest of Paradise, with Vangelis’ score earning an Oscar nomination. Originally called, simply, “Titles,” the theme for director Hugh Hudson’s Chariots of Fire, released in 1981, would play no small part in the film’s success, rivaling Bill Conti’s theme from Rocky (“Gonna Fly Now”) as the go-to musical accompaniment for sports events and other tales of hard-won victory. His 1980 collaboration with Anderson, Short Stories, became a hit in the UK. The duo would reteam on various projects throughout the decade.

He also scored the films “Blade Runner” and “Missing” and Carl Sagan's PBS series “Cosmos.”

His music connected the sacred space with outer space — a quality that made it a natural fit for the movies, where many of his fellow “cosmic synth” artists migrated. In 2016, he released a now-retro synth album, “Rosetta,” inspired by the European Space Agency’s probe mission of the same name. I explained he could kill someone, and he just laughed, saying he was Greek. ‘Don’t worry, Jonny.’ ” In 1992, Vangelis teamed up again with Scott for the Columbus epic “1492: Conquest of Paradise.” Its infectious anthems blended electronics, choir and primitive instruments, and the soundtrack conquered the European pop charts. He received his first Hammond organ as a teenager and painted it gold. “I won’t even rerecord a thing if I play a bum note,” he told Beat Instrumental in 1975. While others were experimenting with modular, sequenced rhythms, Vangelis played his synthesizers like a church organ, drenching big melodies in massive, artificial reverb to create the feeling of sound in a cathedral. He provided music for high-profile special occasions, including for the Olympic Games in 2000 and 2004. “Whether you like this opulent, symphonic sound or not, the melodies catch — and if you’ve ever tried anything in music, you know how hard that is.” He moved to Paris after the 1967 military coup in Greece and co-founded the progressive rock band Aphrodite’s Child, which released three successful albums that collectively sold more than 20 million copies in Europe. Its theme remains one of the most recognizable — and parodied — in film music history. It became an exemplar in the genre and continued to influence bands and film composers decades later.

The Greek electronic composer who wrote the unforgettable Academy Award-winning score for “Chariots of Fire” and music for dozens of other movies, ...

“Decca had the pleasure of partnering with Vangelis and his team for his past three albums and we will miss him enormously. “Vangelis created music of extraordinary originality and power, and provided the soundtrack to so many of our lives,” it said. When British theoretical physicist Stephen Hawking died in 2018, Vangelis composed a musical tribute for his interment that the ESA broadcast into space. The signature piece is one of the hardest-to-forget movie tunes worldwide — and has also served as the musical background to endless slow-motion parodies. He was fascinated by space exploration and wrote music for celestial bodies, but said he never sought stardom himself. It’s one of the most instantly recognizable musical themes in cinema — and its standing in popular culture has only been confirmed by the host of spoofs it has sired.

ATENAS (AP) — Vangelis, el compositor electrónico nacido en Grecia que escribió la partitura ganadora del Oscar para la película “Chariots of Fire” (“Carros ...

Tocó en varias bandas y como solista, pero su gran momento llegó con la banda sonora de “Chariots of Fire”, una película de 1981 sobre dos corredores británicos en la década de 1920. La partitura de Vangelis recibió uno de los cuatro Premios de la Academia que obtuvo la cinta. La pieza característica es una de las melodías cinematográficas más difíciles de olvidar, y también ha servido como fondo musical para incontables parodias en cámara lenta.

Vangelis, the Greek musician who won the Oscar for his 'Chariots of Fire' score and whose other credits included 'Blade Runner,' has died.

His choral symphony “Mythodea” was adopted by NASA as the theme for its 2001 Mars Odyssey mission and he penned original music for the European Space Agency’s 2014 expedition to Comet 67P. After relocating to Paris, In 1968 he formed the progressive-rock quartet Aphrodite’s Child with a group of Greek expatriots, including Demis Roussos. The group enjoyed chart success in several European countries, particularly the single “Rain and Tear.” The Mel GIbson remake of “The Bounty” followed in 1984. But it was his music for the 1981 film “Chariots of Fire” that brought him worldwide fame. 1 on the Billboard charts and was nominated for a Record of the Year Grammy. The self-taught musician enjoyed a long career in European pop music before the magical colors and textures of his 1970s solo albums brought him to the attention of film and TV producers.

El músico griego ganó un Oscar por el tema de la película de 1981 y también escribió la banda sonora de Blade Runner.

En los 70, se intensificaron sus experiencias en el mundo de la televisión y el cine, y en los años 80 es cuando se aceleró su carrera. Bajo la influencia de la música tradicional griega, el joven Vangelis se sintió atraído por dos poderosos estilos del siglo pasado, el rock y el jazz, que serían determinantes en su desarrollo artístico. El primer instrumento que tocó fue el piano. Ese hermetismo contrasta con el gran impacto de su música y la influencia que ejerció en otros autores en el último tercio del siglo XX. Sus otros créditos cinematográficos incluyen The Bounty ("El motín del Bounty" o "Motín a bordo"), "Francesco", Bitter Moon (traducida como "Perversa luna de hiel", "Lunas de hiel" o "Luna amarga"), "1492: Conquista del paraíso" y Alexandre ("Alejandro Magno"). Ganó un Oscar por la conmovedora banda sonora de "Carrozas de fuego" (también conocida como "Carros de fuego"), un filme de 1981, y otro un año después por Blade Runner. Muere Vangelis, el compositor de "Carrozas de Fuego" y "Blade Runner" ganador del Oscar

Antonio Torres del Cerro París, 19 may (EFE).- Su vida privada era tan misteriosa como el origen de sus composiciones. El griego Vangelis, de cuya muerte a ...

En los 70, se intensifican sus experiencias en el mundo de la televisión y el cine. Estrecho colaborador del realizador Ridley Scott, "Blade Runner" simboliza todo el talento de Vangelis para construir atmósferas inquietantes. París, 19 may (EFE).- Su vida privada era tan misteriosa como el origen de sus composiciones.

The Greek electronic composer who wrote the unforgettable Academy Award-winning score for “Chariots of Fire” and music for dozens of other movies, ...

París, 19 may (EFE).- El compositor griego Vangelis, famoso por las bandas sonoras de filmes legendarios como Blade Runner (1982) y Chariots of fire (Carros ...

� EFE 2022. Considerado uno de los padres de la música de base electrónica, Vangelis, que al parecer falleció el pasado martes, también compuso el himno del mundial de fútbol de 2002 y la banda sonora de la película "1492: la Conquista del Paraíso" (1992). París, 19 may (EFE).- El compositor griego Vangelis, famoso por las bandas sonoras de filmes legendarios como "Blade Runner" (1982) y "Chariots of fire" (Carros de fuego, 1981), falleció en un hospital parisino a los 79 años de edad, informaron hoy medios locales, que no precisaron las causas de la muerte.

Vangelis composed the music for Blade Runner and Chariots of Fire, which won him an Academy Award.

He believed that there was something inherent in humans to want to discover — whether that meant up in the sky or in a studio. While he was most associated with the synthesizer, the instrument was also a source of frustration for him. Then he moved to Paris and co-founded the popular prog-rock group Aphrodite's Child. The band eventually split and Vangelis got a solo record deal with RCA Records. His efforts earned him a win for best original score at the Academy Awards. According to his assistant Lefteris Zermas, Vangelis died on the May 17 in a hospital in Paris, due to heart failure. The success led him to other film work.

ATHENS, Greece (AP) — Vangelis, the Greece-born electronic composer who wrote the Academy Award-winning score for the film “Chariots of Fire” and music for ...

“Decca had the pleasure of partnering with Vangelis and his team for his past three albums and we will miss him enormously. “Vangelis created music of extraordinary originality and power, and provided the soundtrack to so many of our lives,” it said. When British theoretical physicist Stephen Hawking died in 2018, Vangelis composed a musical tribute for his interment that the ESA broadcast into space. The signature piece is one of the hardest-to-forget movie tunes worldwide — and has also served as the musical background to endless slow-motion parodies. It’s one of the most instantly recognizable musical themes in cinema — and its standing in popular culture has only been confirmed by the host of spoofs it has sired. He was fascinated by space exploration and wrote music for celestial bodies, but said he never sought stardom himself.

Muere Vangelis, el compositor electrónico nacido en Grecia que escribió la partitura ganadora del Oscar para la película “Chariots of Fire” (“Carros de ...

“Decca tuvo el placer de asociarse con Vangelis y su equipo en sus últimos tres álbumes y lo extrañaremos enormemente. El edificio neoclásico casi fue demolido en 2007 cuando los funcionarios del gobierno decidieron que estropeaba la vista de la antigua ciudadela desde un nuevo museo construido al lado, pero finalmente lo reconsideraron. Es uno de los temas musicales más reconocibles del cine, y su posición en la cultura popular solo ha sido confirmada por la gran cantidad de parodias que ha engendrado. Aphrodite’s Child también se separó y Vangelis se dedicó a proyectos en solitario. “No se puede enseñar la creación”. Medios de prensa griegos informaron que Vangelis, cuyo verdadero nombre era Evangelos Odysseas Papathanassiou, murió en un hospital francés la noche del martes.

Vangelis, el compositor electrónico nacido en Grecia que escribió la icónica partitura ganadora del Oscar para la película Chariots of Fire (Carros de ...

La música es tan icónica y se ha posicionado extraordinariamente en la cultura popular por lo que ha generado gran cantidad de parodias. Tocó en varias bandas y como solista, pero su gran momento llegó con la banda sonora de la cinta Chariots of Fire, de 1981, sobre dos corredores británicos en la década de 1920. Medios de prensa griegos informaron que Vangelis, cuyo verdadero nombre era Evangelos Odysseas Papathanassiou, murió en un hospital francés la noche del martes.

Compuso temas de culto como el principal de la banda sonora del film Carrozas de fuego, con el cual ganó un premio Oscar.

También estudió pintura en la Escuela de Bellas Artes de Atenas. En alguna ocasión afirmó que la escuela de música impedía ser creativo. Reportes de prensa destacan el carácter grandilocuente y solemne de sus melodías, en las que empleaba sintetizadores e instrumentos acústicos que contribuían a la creación de atmósferas. Compuso además para el teatro y es considerado un vanguardista de la música electrónica. El músico nació el 29 de marzo de 1943 en una zona rural, pero creció en Atenas. Desde pequeño desarrolló interés por la música y en específico por la experimentación. De acuerdo con la prensa especializada, sus temas más conocidos para el cine acaso sean los que pertenecen a Carrozas de Fuego, film de 1981, por cuya banda sonora ganó un premio Oscar a Mejor Banda Sonora Original. En un comunicado, la oficina de sus abogados asegura que el músico murió el martes pasado aunque no se precisa la causa de su muerte.

The Greek electronic composer who wrote the unforgettable Academy Award-winning score for “Chariots of Fire” and music for dozens of other movies, ...

Blade Runner composer Vangelis, born Evángelos Odysséas Papathanassíou, has died at 79. His assistant confirmed the death in a Paris hospital on late ...

“Music is science more than art, and it is the main code of the universe.” Vangelis, the Oscar-winning Greek composer and progressive rocker, has died at the age of 79. He died on the evening of May 17, his assistant Lefteris Zermas confirmed.

Muere Vangelis, el compositor electrónico nacido en Grecia que escribió la partitura ganadora del Oscar para la película “Chariots of Fire” (“Carros de ...

El edificio neoclásico casi fue demolido en 2007 cuando los funcionarios del gobierno decidieron que estropeaba la vista de la antigua ciudadela desde un nuevo museo construido al lado, pero finalmente lo reconsideraron. “Decca tuvo el placer de asociarse con Vangelis y su equipo en sus últimos tres álbumes y lo extrañaremos enormemente. Es uno de los temas musicales más reconocibles del cine, y su posición en la cultura popular solo ha sido confirmada por la gran cantidad de parodias que ha engendrado. Aphrodite’s Child también se separó y Vangelis se dedicó a proyectos en solitario. “No se puede enseñar la creación”. Medios de prensa griegos informaron que Vangelis, cuyo verdadero nombre era Evangelos Odysseas Papathanassiou, murió en un hospital francés la noche del martes.

Vangelis, el compositor griego de bandas sonoras de películas como Blade Runner o Carrozas de Fuego, falleció a los 79 años, informó este jueves el primer.

“Con gran tristeza anunciamos que el gran griego Vangelis Papathanassiou ha fallecido a última hora de la noche del martes 17 de mayo”, dijo su abogado, citado el jueves por la agencia de noticias griega ANA. “Para nosotros los griegos, esto significa que comenzó su gran viaje en los Carros de Fuego. Desde allí nos enviará siempre sus notas”, escribió Mitsotakis en Twitter. “El mundo de la música ha perdido al [artista] internacional Vangelis”.

Academy Award-winning composer Vangelis died Tuesday at a hospital in France, where he was being treated for COVID-19.

Some of the information in this story may have changed after publication. Vangelis' choral symphony Mythodea was used as the theme for NASA's 2001 Mars Odyssey mission. Born Evángelos Odysséas Papathanassíou on March 29, 1943, in Agria, Greece and raised in Athens, he was a self-taught musician from an early age.

Vangelis, the Greek composer whose rousing electronic theme music for the Oscar-winning 1981 film "Chariots of Fire" became one of the most loved movie ...

But he was also slightly dismissive of the enormous popularity it enjoyed. Register now for FREE unlimited access to Reuters.com Register now for FREE unlimited access to Reuters.com

With music that ended up crossing paths with Jay-Z, Donna Summer and Rotting Christ, the late Greek composer's creative mind was thrillingly open.

The Four Horsemen earned the distinction of being effectively rewritten twice – first by the Verve on 1997’s The Rolling People, which tipped the wink to those in the know by taking its title from the lyrics of 666’s Altamont, and then by Beck on 2008’s Chemtrails – as well as being subjected to a cover version by Euro-techno titans Scooter. Elsewhere, the album’s tracks were borrowed by both Oneohtrix Point Never and Dan the Automator and, perhaps inevitably given its title and subject matter, found favour with black metal bands. Their success led to more soundtracks (although Papathanassiou was choosy about the films he worked on) and a series of 80s instrumental albums. Something of 666’s apocalyptic intensity lingered around 1975’s Heaven and Hell, and Odes, the album of Greek songs he recorded with actor Irene Papas (although 1979’s album China and his acclaimed soundtrack to the nature documentary Opera Sauvage were easier on the ear). Murkier, more abstract and far more emotionally ambiguous than the air-punch-inducing Chariots of Fire, its legend was bolstered by the fact that it wasn’t released as an album for over 20 years: a rotten orchestral version, which Scott and Papathanassiou hated, came out in its absence. He also unexpectedly developed a parallel career as a pop star, in the company of Yes vocalist Jon Anderson, an Aphrodite’s Child fan who had contributed to Heaven and Hell and Opera Sauvage. The three albums they released as Jon and Vangelis deftly bridged the gap between prog rock and the vogue for synth-pop. Greek pop music of the 1960s is not an area of musical history where anyone who doesn’t fondly remember it first-hand is advised to dwell.