Co-creators/executive producers Lucia Aniello, Paul W. Downs, and Jen Statsky tease what's in store for the second season of the HBO Max comedy.
Statsky: That’s what it’s like to be in a writers’ room. Deborah and Ava wouldn’t even have a relationship to be jeopardized if she hadn’t hired her after their initial meeting. I think that’s what we’re seeing more and more with stand-ups today. We’re back in Vegas and Deborah has had a show that hasn’t gone well but she’s anxious to get back out on the road. Downs: I think the definition of a “hack” is someone who does something over and over again. As viewers will remember, in the Season 1 finale, millennial assistant Ava fired off a loaded electronic message that’s likely going to irreparably harm her relationship with her boss and comedy legend, Deborah Vance, played by Primetime Emmy winner Jean Smart.
The wake-up call Ava brings isn't pleasant. Ava thinks Deborah is on cruise control, playing it safe with her comedy because Vegas crowds don't care to be dared ...
Instead, her regret is not living a full life of comedy without the distraction of family, friends, and marriages. The way Deborah interprets the world around her — its ills, its tragedy, its happiness — is through comedy, a notoriously fickle artform. Could they have a life just devoted to work and be happy? They just have enough distance (for now) that they may or may not see themselves in Deborah. They’re slowly inching toward a point of no return, or if they’re lucky, a “stop before it’s too late” moment. Deborah hopes to sharpen her barbs, slim down her transitions, and find the crackle in her sputtering punchlines. It’s always been a show about a woman realizing who she is, and being honest to that person, whoever that may be. In the Springfield state fair episode, Deborah meets a former rival who gave up comedy. These uncomfortable treks become opportunities for crystallizing self-examination that nourish the soul and reignite the spark of life. Ava’s right and Deborah knows it, but acknowledging that is humiliating. Having bombed her final performance at the Palmetto, her residency on the Strip, Deborah knows her material isn’t good yet. It’s embarrassing not just because Ava is entitled and insufferable and admitting she’s correct would only exacerbate those qualities, but because it also means that Deborah Vance has lost touch of who she is. Somehow, this force of nature finds clarity in an annoying bisexual millennial named Ava (Hannah Einbinder), a comedy writer who is allegedly somewhat amusing on Twitter.
Season 2 of HBO's award-winning comedy takes us on tour with Deborah and Ava, plus a bevy of guest stars. NOW STREAMING: ...
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Jean Smart, Hannah Einbinder and the creators of HBO Max's Emmy-winning comedy break down Season 2's first big reveal.
“Despite it being the biggest thing in the world to Ava, it felt so right for Deborah because rich people are constantly in litigation,” jokes Statsky. Smart calls the development “hilarious — she’s like Donald Trump, she just sues everybody for everything.” “Part of why they continue to work together, even after all the pain they’ve put each other through, is because they both care so much about the work,” says Aniello. “Nothing matters more, even if it should.” This final part “is just so brutally honest,” says Aniello. “Deborah finally let somebody try to be close to her, and now she hears what she actually thinks of her. “There’s something about the intimacy of being so close to somebody that you can hear them breathing.” “But also, you hopefully still see that, no matter what they go through, there’s still love between them there, and that they really do make each other better.” “And the worst kind: one who thinks she’s the victim. “We always knew it’d be very personal and damning to touch upon her relationship with her daughter,” Statsky says. “Their relationship could be repaired if Deborah would just tell her she’s proud of her, but she won’t even do that.” “The truth is, Deborah Vance is a bully,” she reads. It reverberates throughout the entire season and has a huge effect on the relationship and love they have for each other.” Adds Einbinder, “It got me back into the moment of the scene. At dinner, Ava informs Deborah that their agent has made the email null and void.
It took too long but Jean Smart is now widely recognized as one of the best TV actresses working today. The range of her work in “Fargo,” “Watchmen,” and ...
The writing on “Hacks” is better when it avoids set-ups that could be called sitcomish. The premiere features almost all of the supporting players from season one, including Kaitlin Olson’s DJ, Chris McDonald’s Marty, and Mark Indelicato’s Damien. And it’s nice to see Carl Clemons-Hopkins given a rich arc again this season as Marcus battles the intense burden of perfectionism that he puts on himself as Deborah’s closest ally versus a perception of happiness that includes clubbing and dog ownership. Like Deborah, Ava is trying to figure out who she is, constantly moving toward better habits—she tries to go sober and limit technology in her life this year—but realizing that forcing change never works. Deborah and Ava’s manager Jimmy (the very funny Paul Downs) gets some hysterical beats as he tries to wrangle both of his problematic clients and a kooky assistant (Megan Stalter) who makes his life much harder. She’s a woman who guards her vulnerability whenever possible and yet has to access that part of her on stage every night. The range of her work in “ Fargo,” “ Watchmen,” and now “Hacks” is stunning, and the character she’s crafting on this HBO Max Emmy winner for directing, writing, and actress could be career-defining.
'Hacks' premiere recap: Jean Smart and Hannah Einbinder break down the first two episodes of Season 2 — watch video interview.
Then, grade the episodes and drop your thoughts in the comments! Eventually, Deborah has time to reflect and decides to let it go so they can continue with the tour. I didn’t mean to hit her!” (Watch the video embedded above for the full breakdown of the big fight scene and more.)
A review of the second season of Hacks, the Emmy-winning HBO Max series starring Jean Smart and Hannah Einbinder as sparring comedians.
Like the woman she plays, Smart is every inch a pro, and Einbinder continues to hold her own opposite her co-star, handling more emotional moments with ease. The good news is that the performances by and chemistry between Smart and Einbinder stay on point. Actually, Deborah probably keeps her around because she loves Ava, and Deborah tends to punish the people she loves most. The new episodes find Deborah and Ava on the road, touring small venues and dealing with the consequences of a defamatory email Ava sent to some TV producers eager for dirt on Deborah. Once Deborah finds out, she decides to sue her writing partner for violating her NDA, giving the season the plot thread it needs to generate continued conflict between the two. Damien, also on the road with the pair, asks Ava why Deborah doesn’t just fire her instead of keeping her around and being mean to her (but only sometimes). “I don’t know, I guess because I’m her joke writer and I’m funny,” Ava answers. But especially in the first couple of installments — HBO provided six out of the eight that will roll out two per week starting today — there’s a fair amount of trying too hard, and it is indeed awkward.
SomeSome comedies are better off being mean. Hacks, the HBO Max series about aging comedian Deborah Vance (Jean Smart) and her unlikely partnership with Ava ...
For a little while, Hacks is content to ignore this tension, mostly getting by as a hangout comedy showcase for Smart, whose prolific, decades-long career in television isn’t as underappreciated as her character’s, but absolutely could stand to be a little more acclaimed. It speaks to something that’s true but rarely expressed in TV comedies, which need tension to thrive but can’t have too much out of fear that it would make a serial narrative unsustainable. Season 2 runs their complicated relationship through the road trip gauntlet, as Deborah goes on tour for the first time after years as a Las Vegas institution, and Ava accompanies her to workshop new material. From Ava’s perspective, it’s a workplace show about how to work with a boss that hates you and you literally cannot escape. This resulted in a steady stream of jokes: Deborah would effortlessly roast Ava, and Ava would sputter and flail while trying to update Deborah’s outdated feminism in vain. This tension made Hacks compelling, and it’s always in danger of collapsing for a very simple and understandable reason: It all falls apart if the two leads start to like each other too much.
Ava's still annoying and Deborah's still a bully, but this season is even better than the last.
Answering those questions makes "Hacks" rise to greater heights as it brings Deborah and Ava tumbling down to Earth, demanding they figure out a new way to soar without wrecking each other on the ride. That's also the thesis of a season that revolves around Deborah's odyssey to secure a comeback. So as the two of them hit the road to workshop Deborah's next show, spending most of their days on a tour bus (but a luxurious one — it's still Deborah's show, after all) they have no choice but to be painfully genuine with each other. Those moments also demand that Deborah and Ava take hard looks at themselves that aren't necessarily fatal, but they do ask them to destroy every impression of themselves that they may be clinging to. "Hacks" doubles down on its intergenerational strengths in these new episodes by leveling the playing field where Deborah and Ava simultaneously team up and square off. Einbinder's adroit development of Ava's quirks and faults led us to understand that, to quote another famous 20-something character, she isn't the voice of her generation but a voice, and one so annoyingly self-involved that even her contemporaries can't stand her.