The Hulu drama starring Jessica Biel, Melanie Lynskey, Pablo Schreiber, and Timothy Simons is based on true events from 1980.
“I’ve been a fan of Jess for such a long time. A shocking crime shakes a Texas suburb in Candy, a drama based on true events from 1980. A frustrated Candy reads romance novels in her bubble bath and eventually frankly asks Allan to have an affair which cools after Betty and Allan start attending a marriage encounter group.
Hulu's true-crime miniseries 'Candy' stars Jessica Biel, Melanie Lynskey, Timothy Simons, Pablo Schreiber, Justin Timberlake, Jason Ritter in this ...
If the supernatural and self-aware elements that Candy tosses into its finale as our last impression of Lynskey’s Betty were incorporated throughout the series, as The Staircase does with its memories of Kathleen, perhaps Candy would have also felt like it honored this woman and her life rather than solely gawking at her death. Biel has reinvented herself in this genre after the success of The Sinner, and she well conveys Candy’s breezy friendliness with an undercurrent of inauthenticity. That isn’t to say that manufactured mystery is required for true crime, but what Candy lacks is a sense of why this story and why now. That latter question is alluded to a bit in the series’ presentation of Candy’s and Betty’s domestic lives, but any sort of insight about the challenges of womanhood then versus now is absent. Her target is fellow churchgoer and volleyball teammate Allan Gore ( Pablo Schreiber), who is in a struggling, nearly lifeless marriage of his own to the matronly Betty. Betty is then killed in a horrifying way, and the town wants to believe that a drifter is responsible. A broader observation about the reverberations and ramifications of this violence doesn’t materialize, and in its absence it creates a kind of anticlimax.
What can we learn from Candy? Outside of casting its stars with consistency, not much really. But sometimes that's sweet enough.
And, while it's no fault of the creators, it’s hard to shake the feeling that “Candy” is just more familiar now than it would have been a decade ago when true crime wasn’t such a content machine. The creators of “Candy” wash their show in a too-dark, muted, brown palette that gets overdone. As for Biel, she has really turned a corner in terms of performance in the last few years, doing her career-best work on the excellent “The Sinner,” and proving here that that was no fluke. And the stellar Lynskey expresses the numbing depression of suburbia in a way that doesn’t feel clichéd. She does so much with just a sigh or defeated body language. She becomes increasingly turned on by romance novels and is inspired by a friend’s second chance at happiness after a divorce to find a new spark in her life. Nick Antosca (“The Act”) and Robin Veith (“Mad Men”) unpack the days before and after this event with stark, horror-esque storytelling in Hulu’s “Candy,” an effective five-hour mini-series that will unfold over five consecutive nights on the streaming giant, starting tonight, May 9th.
Jessica Biel & Melanie Lynskey are excellent in Hulu's docudrama about a bizarre 1980 murder in smalltown Texas. NOW STREAMING: ...
Though the final two episodes sag a bit when they lean into the camp luridness aspect that far too many true crime docudramas enjoy (see Peacock’s The Thing About Pam as a recent example), and the courtroom antics of Candy’s showboating attorney ( Raul Esparza, who should be able to play these kinds of roles in his sleep by now), Candy for the most part is understated and sensitive. Deciding that the answer to her problem is to have a fling (which has never solved any relationship problem ever, in the history of relationships), Candy hungrily eyes the men on her volleyball team, and sets her cap for the shy, awkward Allen, with whom she engages in the most depressing for everyone involved affair since Ang Lee’s The Ice Storm. It was a tragedy regardless of the circumstances, and more so when you realize that either Candy or Betty being in therapy, with an actual therapist as opposed to a pastor with an agenda, or the cult-like “Marriage Encounter,” might have prevented everything that happened. Candy and Betty are both married to a couple of boring drips who, if not for Allen’s shitty mustache, could easily be mistaken for each other, and while they’re not bad husbands, exactly, they’re blind to their wives’ distress and take them for granted. Candy, married to Pat ( Timothy Simons), seems to love being a housewife and mother, while Betty, married to Allen ( Pablo Schreiber), is miserable, left alone for days at a time while Allen travels for his job. However, though Hulu’s Candy is the first of two takes on the same 40 year-old murder to come out this year (HBO Max’s Love and Death, starring Elizabeth Olsen and Lily Rabe, is the other, release date TBA), for the first few episodes at least it treats its gruesome, sobering subject with respect and seriousness, and the individuals involved as real people as opposed to caricatures and archetypes.
Odd and tense, "Candy" burnishes Jessica Biel's crime-based limited series credentials, following her star-producer turn in "The Sinner.
Yes, it has plenty of company in this particular genre, but thanks to the principals, it's a tastier treat than most. Given the popularity murder and infidelity as the backdrop for true crime, it's hard to stand out from that crowd. That makes the series of events feel even more shocking and sad, with Betty raising a baby and upset about how much her husband travels for work, telling him when they take in an unhappy foster child, "I can't handle another person in this house who doesn't want to be here."
Before watching 'Candy' on Hulu or the upcoming 'Love and Death' on HBO, here's what you need to know about Candy Montgomery, Betty Gore, and this complex ...
Montgomery then took a shower at the Gore household, returned to church, then got lunch with her friends. While on trial, Montgomery gave her account of what happened, claiming that when she stopped by Gore’s house on June 13, the other woman asked Montgomery if she was having an affair with Gore’s husband. That’s when Gore threatened Montgomery with an axe and told her to stay away from her family. But while Candy Montgomery was close with Betty, she was even closer to Allan Gore. The two started having an affair, which began in December of 1978 and lasted until October of 1979. Initially, authorities thought that a drifter was responsible for the crime. As both Hulu’s Candy and HBO’s Love and Death will show, the cause of her death wasn’t a random drifter or a family member.
This is not an evil person. This is not a deeply violent human being,” Biel tells Vanity Fair. “This is someone who is just like all of us.”
It was funny, every time we would go to a set, I would just look around and be like, We had that, we had that, we had that.” “What this woman goes through and what happens to her in the story and the choices that she makes—I mean, Robin and I still talk about it to this day. “When you take a case from 1980 where we don’t have any sort of digital evidence, any sort of photographic evidence, you have the word of one woman, and then you have some dodgy signs because of the time,” Veith says. What would that look like, to have this tremendous event in your life and then just go on?” (Subsequent episodes flash between the present-day timeline and years earlier, with Lynskey’s Gore emerging as a colead in the series.) We see that she’s heavily involved with her community, always around to lend a hand to friends and neighbors—including Gore, whose daughter remains in Montgomery’s care after having a sleepover the night before. As has been exhaustively discussed in and out of court, Montgomery and Gore became entangled after Montgomery launched into an affair with Gore’s husband, Allan (Pablo Schreiber). How that led to Candy’s killing of Betty in the latter’s own home—and how any confrontation could ever come to such a gruesome end, whether it was self-defense, accidental, or in cold blood—remains the subject of intense debate.
Find out the filming locations for the Jessica Biel Hulu series, Candy.
Interiors of places like the Gore’s home were filmed on a sound stage. Series producer Michael Uppendahl has confirmed that most of the show used the Atlanta area as a stand-in for Texas, saying, “We shot it in Georgia. We were based in Atlanta, and we were able to shoot it around Georgia. I was shocked at how well the things were able to match up. In a trial that lasted eight days in Collin County, TX, a jury acquitted Candy of the crime on Oct. 29, 1980.
Blending the mundane with the macabre, 'Candy' prefers to examine how lives are lived rather than how a life was lost.
Though ultimately at its best in its tightly structured, Michael Uppendahl-directed first episode, which finds the hell in the humdrum and successfully percolates with looming dread, Candy’s exploration of a suppressed woman pushed to her limits is achingly wry and wicked. As a dual narrative bouncing between the lives of Candy and Betty (Lynskey), Candy wrings tension and tenderness from the ways that these women find themselves boxed into their suffocatingly mundane lives. Candy prefers to examine how the madness of a monotonous life can kill someone spiritually, and it’s most interesting when it locates the humanity that even the most depraved among us possess.
Jessica Biel talks to IndieWire about her 'Candy' transformation, producing her own projects, and the other incoming Candy Montgomery show.
If you like this story and you’re interested and intrigued, check out this other version.” She added, “My hope would be that they’re so different that it’s so fun to see two different versions of all these characters. I mean, I don’t know what’s going to happen finally at the end, nobody does yet, but I don’t mind knowing what happened, and I’m still so much enjoying Amanda [Seyfried]’s work, and everybody’s work throughout that process, so I think it would still be fun.” That said, Biel feels it can still be “satisfying and nourishing” to watch true-crime stories knowing how they end. “I just sort of assumed at this point most people probably have heard about the story because now we’re talking about it pretty openly.” So you make the choice.’” In the over two decades since she broke out on “7th Heaven,” The WB’s longest running series, Biel found work in a multitude of genres, but has really seemed to have found her niche as a producer in recent years. “Anytime you’re sort of putting on a new hat and exploring your business from a different outlook, there’s so much to learn, and there’s just so much more you can get out of it. It was really fun to find the path through, especially because we’re going in these non-linear storytelling formats.” I want to watch that on TV. I want to watch why human beings do what human beings do. And there always is a reason.” She explained, “One positive thing that has helped me as an actor is to take a breath and know that they’re not trying to make it more challenging for me, they’re just trying to work around so many things.” Biel recalled that her daily transformation into Montgomery was “Wig, costume, and then I’d step on set, glasses, and that was the linchpin of the look. “I am really intrigued by: We know the outcome, we know what happened, why did it happen?