It's been 16 years since 'Brokeback Mountain' was dinged by old-school Academy members who couldn't handle gay cowboys. But a whole lot has changed since ...
So The Power of the Dog has become a movie to not only defend against the remaining people who are certain cowboys cannot possibly be gay, but also to discuss in depth—maybe even encouraging people to watch the movie again and really catch the subtext about how Cumberbatch’s character is merely posing as a rugged ranch hand. The speculation about how Crash pulled off that upset continues to this day, but a plausible theory is that there were just too many voters like Curtis and Borgnine who weren’t ready for a sweeping romance about two men. But by taking shots at The Power of the Dog, Elliott has almost certainly only helped the cause. That’s exactly what Netflix should hope for, but it also puts a prime target on the movie’s back. It was ready with a meme of its own. (Not for nothing, Curtis, Borgnine, and most actors who were famous in the 1950s are also now dead.) But the legacy of the skeptical cowboy apparently lives on.
Sam Elliott is being grilled online after slamming "The Power of the Dog" for including "allusions to homosexuality."
You can set your browser to block or alert you about these cookies, but without them, performance of the site may be affected and you may not be able to take full advantage of all services and/or features of the site. For more details, please see our Privacy Notice. The California Consumer Privacy Act considers the sharing of some of this personal information to be a “sale”. Please see below to submit a request or call 1-800-552-7678. “Where’s the Western in this Western?” Elliott asked. These cookies are necessary for the website to function and cannot be switched off in our systems. These features help us improve your experience with the website, for example, to determine the appropriate device location during a session or count articles viewed.We and our service providers, such as Google Analytics, use analytics cookies to collect information about your use of the website to help create reports and statistics on the performance of the website, which enable us to improve the way the site works. Sam Elliott reinforces the whole message of the film in accidental endorsement of Power of the Dog,” another wrote. Another wondered why Elliott hated the LGBTQ themes in “Dog” when he apparently loved Ang Lee’s 2005 flick “Brokeback Mountain,” another pioneering cowboy movie that was rife with gay themes. “And, boy, when I f – – king saw that [movie], I thought, ‘What the f – – k? “Where’s the Western in this Western?” Elliott asked. “It’s like, what the f – – k?” There’s all these allusions to homosexuality throughout the f – – king movie.” “He had two pairs of chaps — a woolly pair and a leather pair.
Sam Elliot, who stars in the Paramount+ Western series "1883," slammed the Oscar-nominated "The Power of the Dog" for its "allusions to homosexuality."
“What ... does this woman from down there ... New Zealand, know about the American West?” Elliott asked. Elliott likened the cowboys in “The Power of the Dog” to Chippendales dancers. Elliott said that the common depiction of American cowboys as “macho men” is a “myth” and that in his experience, cattle ranching is a family operation.
Actor Sam Elliott, who has played a cowboy for most of his career, slammed Jane Campion's revisionist take on the American West: 'I took it personal.'
“They erase the presence of anyone who isn’t white or male when the west was mostly built by Indigenous, Black, Mexican & Chinese people.” “But what the f— does this woman from [New Zealand] know about the American West?” he asked. He’d walk into the f— house, storm up the f— stairs, go lay on his bed in his chaps and play his banjo. “It’s easy to sum up the movie: It is at once a revisionist Western, a mystery ..., an exploration of masculinity and femininity, a lament for the limits the world puts on us and those we shoulder until we can no longer bear them,” Dargis added. In other words, the myth was no myth; it was reality. There’s all these allusions to homosexuality throughout the f— movie,” Elliott said. And it’s like ... where’s the Western? Where’s the W estern in this western?” Remember them from back in the day?” ‘The evisceration of the American myth.’ It looked like — what are all those dancers, those guys in New York that wear bow ties and not much else? “I thought, what the f—?” Elliott said. But, he said, he’d just come from filming in Texas where he was hanging out with big, multigenerational families — not just men — whose lives were all about being cowboys. Elliott said he hadn’t liked the film anyway, but then saw a full-page ad in the Los Angeles Times with a review blurb that said “The Power of the Dog” was — in the actor’s words — “an evisceration of the American myth.” That comment really fried him.
On the 'WTF' podcast hosted by Marc Maron, 1883's Sam Elliott shared he did not like director Jane Campion's approach to 'The Power of the Dog' and its ...
The costuming in the film wasn’t Elliott’s only issue; the film was originally set in 1920s Montana while the production of the movie was filmed in New Zealand. “What the fuck does this woman from down there know about the American West?” criticized Elliott of Campion, “Why the fuck did she shoot this movie in New Zealand and call it Montana? And say this is the way it was? Elliott initially made his comments on the February 28 episode of WTF With Marc Maron; on the panel, he referred to Maron as “the WTF guy.” “Don’t go do a podcast whose call letters are WTF,” he joked. That fucking rubbed me the wrong way.” Campion told the Los Angeles Times in 2021 that the decision to film in New Zealand was due to budget constraints. “That’s what all these fucking cowboys in that movie looked like,” he told Maron. “They’re running around in chaps and no shirts. “Where’s the Western in this Western?” Elliott continued. And I feel terrible about that.” Elliott also specifically apologized to the gay community, noting he has had gay “friends on every level, in every job description, up until today with my agent, my dear friend.” And lastly, the actor apologized to the cast of The Power of the Dog and Jane Campion. “I can only say that I’m sorry, and I am,” he said.
Campion's drama is nominated for 12 Oscars, more than any film this year. Benedict Cumberbatch stars as a sadistic rancher who makes life hell for his new ...
You may exercise your right to opt out of the sale of personal information by using this toggle switch. Under the California Consumer Privacy Act, you have the right to opt-out of the sale of your personal information to third parties. This may affect our ability to personalize ads according to your preferences.These cookies may be set through our site by our advertising partners. PMC and our advertising partners use cookies and other technologies to collect and share certain information such as your usage activity to deliver ads that are more relevant to you on PMC and other sites or apps. You may still receive ads from us (including contextual or based on our own data about you). We will still share some information with those of our partners who function as our service providers, such as to help us measure ad effectiveness, control the frequency, delivery and security of ads, and conduct analytics. If you would like to opt out of the sale of this information, please use this webform or call our automated line at (877) 365-3500. Even if you opt out through this link, you will still see ads. Maron told Elliott that these themes are “what the movie is about,” but Elliott remained critical of Campion’s approach to the Western genre. Elliott did call Campion a “brilliant” filmmaker, despite not agreeing with her overall approach to the genre. “Where’s the Western in this Western?” Elliott asked. There’s all these allusions of homosexuality throughout the movie.” Elliott compared Campion’s cowboys to Chippendale dancers who “wear bow ties and not much else.”
The actor took issue with Jane Campion's unraveling of the myth of American masculinity, proving sexism is alive and well.
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